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Thus we have established two truths without any obstacle or difficulty, that IT IS FROM NATURAL PRINCIPLES THIS VARIETY OF CAUSES EXCITES PRIDE AND HUMILITY, and that IT IS NOT BY A DIFFERENT PRINCIPLE EACH DIFFERENT CAUSE IS ADAPTED TO ITS PASSION. We shall now proceed to enquire how we may reduce these principles to a lesser number, and find among the causes something common, on which their influence depends.
In order to this we must reflect on certain properties of human nature, which though they have a mighty influence on every operation both of the understanding and passions, are not commonly much insisted on by philosophers. The first of these is the association of ideas, which I have so often observed and explained. It is impossible for the mind to fix itself steadily upon one idea for any considerable time; nor can it by its utmost efforts ever arrive at such a constancy. But however changeable our thoughts may be, they are not entirely without rule and method in their changes. The rule, by which they proceed, is to pass from one object to what is resembling, contiguous to, or produced by it. When one idea is present to the imagination, any other, united by these relations, naturally follows it, and enters with more facility by means of that introduction.
The second property I shall observe in the human mind is a like association of impressions. All resembling impressions are connected together, and no sooner one arises than the rest immediately follow. Grief and disappointment give rise to anger, anger to envy, envy to malice, and malice to grief again, till the whole circle be compleated. In like manner our temper, when elevated with joy, naturally throws itself into love, generosity, pity, courage, pride, and the other resembling affections. It is difficult for the mind, when actuated by any passion, to confine itself to that passion alone, without any change or variation. Human nature is too inconstant to admit of any such regularity. Changeableness is essential to it. And to what can it so naturally change as to affections or emotions, which are suitable to the temper, and agree with that set of passions, which then prevail? It is evident, then, there is an attraction or association among impressions, as well as among ideas; though with this remarkable difference, that ideas are associated by resemblance, contiguity, and causation; and impressions only by resemblance.
In the THIRD place, it is observable of these two kinds of association, that they very much assist and forward each other, and that the transition is more easily made where they both concur in the same object. Thus a man, who, by any injury from another, is very much discomposed and ruffled in his temper, is apt to find a hundred subjects of discontent, impatience, fear, and other uneasy passions; especially if he can discover these subjects in or near the person, who was the cause of his first passion. Those principles, which forward the transition of ideas, here concur with those, which operate on the passions; and both uniting in one action, bestow on the mind a double impulse. The new passion, therefore, must arise with so much greater violence, and the transition to it must be rendered so much more easy and natural.
Upon this occasion I may cite the authority of an elegant writer, who expresses himself in the following manner.
"As the fancy delights in every thing that is great, strange, or beautiful, and is still more pleased the more it finds of these perfections in the same object, so it is capable of receiving a new satisfaction by the assistance of another sense. Thus any continued sound, as the music of birds, or a fall of waters, awakens every moment the mind of the beholder, and makes him more attentive to the several beauties of the place, that lie before him. Thus if there arises a fragrancy of smells or perfumes, they heighten the pleasure of the imagination, and make even the colours and verdure of the landschape appear more agreeable; for the ideas of both senses recommend each other, and are pleasanter together than when they enter the mind separately: As the different colours of a picture, when they are well disposed, set off one another, and receive an additional beauty from the advantage of the situation." [Addison, SPECTATOR 412, final paragraph.]
In this phaenomenon we may remark the association both of impressions and ideas, as well as the mutual assistance they lend each other.
These principles being established on unquestionable experience, I begin to consider how we shall apply them, by revolving over all the causes of pride and humility, whether these causes be regarded, as the qualities, that operate, or as the subjects, on which the qualities are placed. In examining these qualities I immediately find many of them to concur in producing the sensation of pain and pleasure, independent of those affections, which I here endeavour to explain. Thus the beauty of our person, of itself, and by its very appearance, gives pleasure, as well as pride; and its deformity, pain as well as humility. A magnificent feast delights us, and a sordid one displeases. What I discover to be true in some instances, I suppose to be so in all; and take it for granted at present, without any farther proof, that every cause of pride, by its peculiar qualities, produces a separate pleasure, and of humility a separate uneasiness.
Again, in considering the subjects, to which these qualities adhere, I make a new supposition, which also appears probable from many obvious instances, viz, that these subjects are either parts of ourselves, or something nearly related to us. Thus the good and bad qualities of our actions and manners constitute virtue and vice, and determine our personal character, than which nothing operates more strongly on these passions. In like manner, it is the beauty or deformity of our person, houses, equipage, or furniture, by which we are rendered either vain or humble. The same qualities, when transfered to subjects, which bear us no relation, influence not in the smallest degree either of these affections.
Having thus in a manner supposed two properties of the causes of these affections, viz, that the qualities produce a separate pain or pleasure, and that the subjects, on which the qualities are placed, are related to self; I proceed to examine the passions themselves, in order to find something in them, correspondent to the supposed properties of their causes. First, I find, that the peculiar object of pride and humility is determined by an original and natural instinct, and that it is absolutely impossible, from the primary constitution of the mind, that these passions should ever look beyond self, or that individual person. of whose actions and sentiments each of us is intimately conscious. Here at last the view always rests, when we are actuated by either of these passions; nor can we, in that situation of mind, ever lose sight of this object. For this I pretend not to give any reason; but consider such a peculiar direction of the thought as an original quality.
