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The reflective impressions may be divided into two kinds, viz. the calm and the violent. Of the first kind is the sense of beauty and deformity in action, composition, and external objects. Of the second are the passions of love and hatred, grief and joy, pride and humility. This division is far from being exact. The raptures of poetry and music frequently rise to the greatest height; while those other impressions, properly called passions, may decay into so soft an emotion, as to become in a manner imperceptible. But as, in general, the passions are more violent than the emotions arising from beauty and deformity, these impressions have been commonly distinguished from each other. The subject of the human mind being so copious and various, I shall here take advantage of this vulgar and specious division, that I may proceed with the greater order; and, having said all I thought necessary concerning our ideas, shall now explain those violent emotions or passions, their nature, origin, causes and effects.
When we take a survey of the passions, there occurs a division of them into direct and indirect. By direct passions I understand such as arise immediately from good or evil, from pain or pleasure. By indirect, such as proceed from the same principles, but by the conjunction of other qualities. This distinction I cannot at present justify or explain any farther. I can only observe in general, that under the indirect passions I comprehend pride, humility, ambition, vanity, love, hatred, envy, pity, malice, generosity, with their dependents. And under the direct passions, desire, aversion, grief, joy, hope, fear, despair, and security. I shall begin with the former.
[1] Book I. Part I. Sect. 2.
The passions of pride and humility being simple and uniform impressions, 'tis impossible we can ever, by a multitude of words, give a just definition of them, or indeed of any of the passions. The utmost we can pretend to is a description of them, by an enumeration of such circumstances as attend them: but as these words, pride and humility, are of general use, and the impressions they represent the most common of any, every one, of himself, will be able to form a just idea of them, without any danger of mistake. For which reason, not to lose time upon preliminaries, I shall immediately enter upon the examination of these passions.
'Tis evident, that pride and humility, though directly contrary, have yet the same object. This object is self, or that succession of related ideas and impressions, of which we have an intimate memory and consciousness. Here the view always fixes when we are actuated by either of these passions. According as our idea of ourself is more or less advantageous, we feel either of those opposite affections, and are elated by pride, or dejected with humility. Whatever other objects may be comprehended by the mind, they are always considered with a view to ourselves; otherwise they would never be able either to excite these passions, or produce the smallest increase or diminution of them. When self enters not into the consideration, there is no room either for pride or humility.
But though that connected succession of perceptions, which we call self be always the object of these two passions, 'tis impossible it can be their cause, or be sufficient alone to excite them. For as these passions are directly contrary, and have the same object in common; were their object also their cause, it could never produce any degree of the one passion, but at the same time it must excite an equal degree of the other; which opposition and contrariety must destroy both. 'Tis impossible a man can at the same time be both proud and humble; and where he has different reasons for these passions, as frequently happens, the passions either take place alternately, or, if they encounter, the one annihilates the other, as far as its strength goes, and the remainder only of that which is superior, continues to operate upon the mind. But in the present case neither of the passions could ever become superior; because, supposing it to be the view only of ourself which excited them, that being perfectly[Pg 7] indifferent to either, must produce both in the very same proportion; or, in other words, can produce neither. To excite any passion, and at the same time raise an equal share of its antagonist, is immediately to undo what was done, and must leave the mind at last perfectly calm and indifferent.
We must therefore make a distinction betwixt the cause and the object of these passions; betwixt that idea which excites them, and that to which they direct their view when excited. Pride and humility, being once raised, immediately turn our attention to ourself, and regard that as their ultimate and final object; but there is something farther requisite in order to raise them: something, which is peculiar to one of the passions, and produces not both in the very same degree. The first idea that is presented to the mind is that of the cause or productive principle. This excites the passion connected with it; and that passion, when excited, turns our view to another idea, which is that of self. Here then is a passion placed betwixt two ideas, of which the one produces it, and the other is produced by it. The first idea therefore represents the cause, the second the object of the passion.
To begin with the causes of pride and humility; we may observe, that their most obvious and remarkable property is the vast variety of subjects on which they may be placed. Every valuable quality of the mind, whether of the imagination, judgment, memory or disposition; wit, good sense, learning, courage, justice, integrity; all these are the causes of pride, and their opposites of humility. Nor are these passions confined to the mind, but extend their view to the body likewise. A man may be proud of his beauty, strength, agility, good mien, address in dancing, riding, fencing,[Pg 8] and of his dexterity in any manual business or manufacture. But this is not all. The passion, looking farther, comprehends whatever objects are in the least allied or related to us. Our country, family, children, relations, riches, houses, gardens, horses, dogs, clothes; any of these may become a cause either of pride or of humility.
From the consideration of these causes, it appears necessary we should make a new distinction in the causes of the passion, betwixt that quality which operates, and the subject on which it is placed. A man, for instance, is vain of a beautiful house which belongs to him, or which he has himself built and contrived. Here the object of the passion is himself, and the cause is the beautiful house: which cause again is subdivided into two parts, viz. the quality, which operates upon the passion, and the subject, in which the quality inheres. The quality is the beauty, and the subject is the house, considered as his property or contrivance. Both these parts are essential, nor is the distinction vain and chimerical. Beauty, considered merely as such, unless placed upon something related to us, never produces any pride or vanity; and the strongest relation alone, without beauty, or something else in its place, has as little influence on that passion. Since, therefore, these two particulars are easily separated, and there is a necessity for their conjunction, in order to produce the passion, we ought to consider them as component parts of the cause; and infix in our minds an exact idea of this distinction.
