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The difficulty, then, is only to discover this cause, and find what it is that gives the first motion to pride, and sets those organs in action which are naturally fitted to produce that emotion. Upon my consulting experience, in order to resolve this difficulty, I immediately find a hundred different causes that produce pride; and upon examining these causes, I suppose, what at first I perceive to be probable, that all of them concur in two circumstances, which are, that of themselves they produce an impression allied to the passion, and are placed on a subject allied to the object of the passion. When I consider after this the nature of relation, and its effects both on the passions and ideas, I can no longer doubt upon these suppositions, that 'tis the very principle which gives rise to pride, and bestows motion on those organs, which, being naturally disposed to produce that affection, require only a first impulse or beginning to their action. Any thing that gives a pleasant sensation, and is related to self, excites the passion of pride, which is also agreeable, and has self for its object.
What I have said of pride is equally true of humility. The sensation of humility is uneasy, as that of pride is agreeable; for which reason the separate sensation arising from the causes must be reversed, while the relation to self continues the same. Though pride and humility are directly contrary in their effects and in their sensations, they have notwithstanding the same object; so that 'tis requisite only to change the relation of impressions without making any change upon that of ideas. Accordingly we find, that a beautiful[Pg 20] house belonging to ourselves produces pride; and that the same house, still belonging to ourselves, produces humility, when by any accident its beauty is changed into deformity, and thereby the sensation of pleasure, which corresponded to pride, is transformed into pain, which is related to humility. The double relation between the ideas and impressions subsists in both cases, and produces an easy transition from the one emotion to the other.
In a word, nature has bestowed a kind of attraction on certain impressions and ideas, by which one of them, upon its appearance, naturally introduces its correlative. If these two attractions or associations of impressions and ideas concur on the same object, they mutually assist each other, and the transition of the affections and of the imagination is made with the greatest ease and facility. When an idea produces an impression, related to an impression, which is connected with an idea related to the first idea, these two impressions must be in a manner inseparable, nor will the one in any case be unattended with the other. 'Tis after this manner that the particular causes of pride and humility are determined. The quality which operates on the passion produces separately an impression resembling it; the subject to which the quality adheres is related to self, the object of the passion: no wonder the whole cause, consisting of a quality and of a subject, does so unavoidably give rise to the passion.
To illustrate this hypothesis, we may compare it to that by which I have already explained the belief attending the judgments which we form from causation. I have observed, that in all judgments of this kind, there is always a present impression and a related idea; and that the present impression gives a vivacity[Pg 21] to the fancy, and the relation conveys this vivacity, by an easy transition, to the related idea. Without the present impression, the attention is not fixed, nor the spirits excited. Without the relation, this attention rests on its first object, and has no farther consequence. There is evidently a great analogy betwixt that hypothesis, and our present one of an impression and idea, that transfuse themselves into another impression and idea by means of their double relation: which analogy must be allowed to be no despicable proof of both hypotheses.
But before we proceed farther in this subject, and examine particularly all the causes of pride and humility, 'twill be proper to make some limitations to the general system, that all agreeable objects, related to ourselves by an association of ideas and of impressions, produce pride, and disagreeable ones, humility: and these limitations are derived from the very nature of the subject.
I. Suppose an agreeable object to acquire a relation to self, the first passion that appears on this occasion is joy; and this passion discovers itself upon a slighter relation than pride and vain-glory. We may feel joy upon being present at a feast, where our senses are regaled with delicacies of every kind: but 'tis only the master of the feast, who, beside the same joy, has the additional passion of self-applause and vanity. 'Tis true, men sometimes boast of a great entertainment, at[Pg 22] which they have only been present; and by so small a relation convert their pleasure into pride: but however this must in general be owned, that joy arises from a more inconsiderable relation than vanity, and that many things, which are too foreign to produce pride, are yet able to give us a delight and pleasure. The reason of the difference may be explained thus. A relation is requisite to joy, in order to approach the object to us, and make it give us any satisfaction. But beside this, which is common to both passions, 'tis requisite to pride, in order to produce a transition from one passion to another, and convert the satisfaction into vanity. As it has a double task to perform, it must be endowed with double force and energy. To which we may add, that where agreeable objects bear not a very close relation to ourselves, they commonly do to some other person; and this latter relation not only excels, but even diminishes, and sometimes destroys the former, as we shall see afterwards.[2]
Here then is the first limitation we must make to our general position, that every thing related to us, which produces pleasure or pain, produces likewise pride or humility. There is not only a relation required, but a close one, and a closer than is required to joy.
II. The second limitation is, that the agreeable or disagreeable object be not only closely related, but also peculiar to ourselves, or at least common to us with a few persons. 'Tis a quality observable in human nature, and which we shall endeavour to explain afterwards, that every thing, which is often presented, and to which we have been long accustomed, loses its value in our eyes, and is in a little time despised and[Pg 23] neglected. We likewise judge of objects more from comparison than from their real and intrinsic merit; and where we cannot by some contrast enhance their value, we are apt to overlook even what is essentially good in them. These qualities of the mind have an effect upon joy as well as pride; and 'tis remarkable, that goods, which are common to all mankind, and have become familiar to us by custom, give us little satisfaction, though perhaps of a more excellent kind than those on which, for their singularity, we set a much higher value. But though this circumstance operates on both these passions, it has a much greater influence on vanity. We are rejoiced for many goods, which, on account of their frequency, give us no pride. Health, when it returns after a long absence, affords us a very sensible satisfaction; but is seldom regarded as a subject of vanity, because 'tis shared with such vast numbers.
The reason why pride is so much more delicate in this particular than joy, I take to be as follows. In order to excite pride, there are always two objects we must contemplate, viz. the cause, or that object which produces pleasure; and self, which is the real object of the passion. But joy has only one object necessary to its production, viz. that which gives pleasure; and though it be requisite that this bear some relation to self, yet that is only requisite in order to render it agreeable; nor is self, properly speaking, the object of this passion. Since, therefore, pride has, in a manner, two objects to which it directs our view, it follows, that where neither of them have any singularity, the passion must be more weakened upon that account than a passion which has only one object. Upon comparing ourselves with others, as we are every moment apt[Pg 24] to do, we find we are not in the least distinguished; and, upon comparing the object we possess, we discover still the same unlucky circumstance. By two comparisons so disadvantageous, the passion must be entirely destroyed.