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When the Socialist, with righteous indignation, cries for "justice," "rights," "equal rights," it only shows that he is oppressed by his inadequate culture, and is unable to understand why he suffers: he also finds pleasure in crying;—if he were more at ease he would take jolly good care not to cry in that way: in that case he would seek his pleasure elsewhere. The same holds good of the Christian: he curses, condemns, and slanders the "world"—and does not even except himself. But that is no reason for taking him seriously. In both cases we are in the presence of invalids who feel better for crying, and who find relief in slander.
374.
Every society has a tendency to reduce its opponents to caricatures,—at least in its own imagination,—as also to starve them. As an example of this sort of caricature we have our "criminal." In the midst of the Roman and aristocratic order of values, the Jew was reduced [Pg 299]to a caricature. Among artists, "Mrs. Grundy and the bourgeois" become caricatures; while among pious people it is the heretics, and among aristocrats, the plebeian. Among immoralists it is the moralist. Plato, for instance, in my books becomes a caricature.
375.
All the instincts and forces which morality praises, seem to me to be essentially the same as those which it slanders and rejects: for instance, justice as will to power, will to truth as a means in the service of the will to power.
376.
The turning of man's nature inwards. The process of turning a nature inwards arises when, owing to the establishment of peace and society, powerful instincts are prevented from venting themselves outwardly, and strive to survive harmlessly inside in conjunction with the imagination. The need of hostility, cruelty, revenge, and violence is reverted, "it steps backwards"; in the thirst for knowledge there lurks both the lust of gain and of conquest; in the artist, the powers of dissimulation and falsehood find their scope; the instincts are thus transformed into demons with whom a fight takes place, etc.
377.
Falsity.—Every sovereign instinct makes the others its instruments, its retainers and its sycophants: [Pg 300]it never allows itself to be called by its more hateful name: and it brooks no terms of praise in which it cannot indirectly find its share. Around every sovereign instinct all praise and blame in general crystallises into a rigorous form of ceremonial and etiquette. This is one of the causes of falsity.
Every instinct which aspires to dominion, but which finds itself under a yoke, requisitions all the most beautiful names and the most generally accepted values to strengthen it and to support its self-esteem, and this explains why as a rule it dares to come forward under the name of the "master" it is combating and from whom it would be free (for instance, under the domination of Christian values, the desires of the flesh and of power act in this way). This is the other cause of falsity.
In both cases complete ingenuousness reigns: the falseness never even occurs to the mind of those concerned. It is the sign of a broken instinct when man sees the motive force and its "expression" ("the mask") as separate things—it is a sign of inner contradiction and is much less formidable. Absolute innocence in bearing, word, and passion, a "good conscience" in falseness, and the certainty wherewith all the grandest and most pompous words and attitudes are appropriated—all these things are necessary for victory.
In the other case: that is to say, when extreme clearsightedness is present, the genius of the actor is needful as well as tremendous discipline in self-control, [Pg 301]if victory is to be achieved. That is why priests are the cleverest and most conscious hypocrites; and then come princes, in whom their position in life and their antecedents account for a certain histrionic gift. Society men and diplomatists come third, and women fourth.
The fundamental thought: Falsity seems so deep, so many-sided, and the will is directed so inexorably against perfect self-knowledge and accurate self-classification, that one is very probably right in supposing that Truth and the will to truth are perhaps something quite different and only disguises. (The need of faith is the greatest obstacle in the way of truthfulness.)
378.
"Thou shalt not tell a falsehood": people insist upon truthfulness. But the acknowledgment of facts (the refusal to allow one's self to be lied to) has always been greatest with liars: they actually recognised the reality of this popular "truthfulness." There is too much or too little being said continually: to insist upon people's exposing themselves with every word they say, is a piece of navet.
People say what they think, they are "truthful"; but only under certain circumstances: that is to say, provided they be understood (inter pares), and understood with good will into the bargain (once more inter pares). One conceals one's self in the presence of the unfamiliar: and he who would attain to something, says what he would fain have [Pg 302]people think about him, but not what he thinks. ("The powerful man is always a liar.")**
379.
The great counterfeit coinage of Nihilism concealed beneath an artful abuse of moral values:—
(a) Love regarded as self-effacement; as also pity.
(b) The most impersonal intellect ("the philosopher") can know the truth, "the true essence and nature of things."
(c) Genius, great men are great, because they do not strive to further their own interests: the value of man increases in proportion as he effaces himself.
(d) Art as the work of the "pure free-willed subject"; misunderstanding of "objectivity."
(e) Happiness as the object of life: virtue as a means to an end.
The pessimistic condemnation of life by Schopenhauer is a moral one. Transference of the gregarious standards into the realm of metaphysics.
The "individual" lacks sense, he must therefore have his origin in "the thing in itself" (and the significance of his existence must be shown to be "error"); parents are only an "accidental cause."—The mistake on the part of science in considering the individual as the result of all past life instead of the epitome of all past life, is now becoming known.
380.
1. Systematic falsification of history, so that it may present a proof of the moral valuation:
(a) The decline of a people and corruption. (b) The rise of a people and virtue. (c) The zenith of a people ("its culture") regarded as the result of high moral excellence.
2. Systematic falsification of great men, great creators, and great periods. The desire is to make faith that which distinguishes great men: whereas carelessness in this respect, scepticism, "immorality," the right to repudiate a belief, belongs to greatness (Csar, Frederick the Great, Napoleon; but also Homer, Aristophanes, Leonardo, Goethe). The principal fact—their "free will"—is always suppressed.
381.
