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Religion, morality, and philosophy, while they all aim at so-called universal Truth, tend to depreciate the value of life in the eyes of exceptional men. Though they establish the "beautiful" for the general stock, and in that way enhance the value of life for that stock, they contradict higher men's values, and, by so doing, destroy their innocent faith in the world. For the problem here is not, what value is true?—but, what value is most conducive to the highest form of human life on earth?
Nietzsche would fain throw all the burden of valuing upon the Dionysian artist him who speaks about this world out of the love and plenitude of power that is in his own breast, him who, from the very health that is within him, cannot look out upon life without transfiguring it, hallowing it, blessing it, and making it appear better, bigger, and more beautiful. And, in this view, Nietzsche is quite consistent; for, if we must accept his conclusion that our values are determined for us by our higher men, then it becomes of the highest importance that these valuers should be so constituted that their values may be a boon and not a bane to the rest of humanity.
Alas! only too often, and especially in the nineteenth century, have men who lacked this Dionysian spirit stood up and valued the world; and it is against these that Nietzsche protests. It[Pg xvi] is the bad air they have spread which he would fain dispel.
An to what art means to the artist himself, apart from its actual effect on the world, Nietzsche would say that it is a manner of discharging his will to power. The artist tries to stamp his opinion of what is desirable, and of what is beautiful or ugly, upon his contemporaries and the future; it is in this valuing that his impulse to prevail finds its highest expression. Hence the instinctive economy of artists in sex matters—that is to say, in precisely that quarter whither other men go when their impulse to prevail urges them to action. Nietzsche did not of course deny the sensual nature of artists (Aph. 815); all he wished to make plain was this, that an artist who was not moderate, in eroticis, while engaged upon his task, was open to the strongest suspicion.
In the Fourth Book Nietzsche is really at his very best. Here, while discussing questions such as "The Order of Rank," he is so thoroughly in his exclusive sphere, that practically every line, even if it were isolated and taken bodily from the context, would bear the unmistakable character of its author. The thought expressed in Aphorism 871 reveals a standpoint as new as it is necessary. So used have we become to the practice of writing and legislating for a mass, that we have forgotten the rule that prevails even in our own navy—that the speed of a fleet is measured by its slowest vessel.
On the same principle, seeing that all our philosophies and moralities have hitherto been directed[Pg xvii] at a mass and at a mob, we find that their elevation must of necessity be decided by the lowest of mankind. Thus all passions are banned, because base men do not know how to enlist them in their service. Men who are masters of themselves and of others, men who understand the management and privilege of passion, become the most despised of creatures in such systems of thought, because they are confounded with the vicious and licentious; and the speed of mankind's elevation thus gets to be determined by humanity's slowest vessels.
Aphorisms 881, 882, 886 fully elucidate the above considerations, while in 912, 916, 943, and 951 we have plans of a constructive teaching which the remainder of Part I. elaborates.
And now, following Nietzsche carefully through Part II. (Dionysus), what is the inevitable conclusion of all we have read? This analysis of the world's collective values and their ascription to a certain "will to power" may now seem to many but an exhaustive attempt at a new system of nomenclature, and little else. As a matter or fact it is very much more than this. By mean? of it Nietzsche wishes to show mankind how much has lain, and how much still lies, in man's power By laying his finger on everything and declaring to man that it was human will that created it. Nietzsche wished to give man the courage of this will, and a clean conscience in exercising it. For it was precisely this very will to power which had been most hated and most maligned by everybody up to Nietzsche's time.
Long enough, prompted by the fear of attributing any one of his happiest thoughts to this hated fundamental will, had man ascribed all his valuations and all his most sublime inspirations to something outside himself,—whether this something were a God, a principle, or the concept Truth. But Nietzsche's desire was to show man how human, all too human, have been the values that have appeared heretofore; he wished to prove, that to the rare sculptors of values, the world, despite its past, is still an open field of yielding clay, and in pointing to what the will to power has done until now, Nietzsche suggests to these coming sculptors what might still be done, provided they fear nothing, and have that innocence and that profound faith in the fundamental will which others hitherto have had in God, Natural Laws, Truth, and other euphemistic fictions.
The doctrine of Eternal Recurrence, to which Nietzsche attached so much importance that it may be regarded almost as the inspiration which led to his great work, Thus Spake Zarathustra, ought to be understood in the light of a purely disciplinary and chastening creed. In one of his posthumous works we find Nietzsche saying: "The question which thou shalt have to answer before every deed that thou doest;—is this such a deed as I am prepared to perform an incalculable number of times,—is the best ballast." Thus it is obvious that, feeling the need of something in his teaching which would replace the metaphysics of former beliefs, he applied the doctrine of Eternal Recurrence to this end. Seeing, however,[Pg xix] that even among Nietzscheans themselves there is considerable doubt concerning the actual value of the doctrine as a ruling belief, it does not seem necessary to enter here into the scientific justification which he claims for it. Suffice it to say that, as knowledge stands at present, the statement that the world will recur eternally in small things as in great, is still a somewhat daring conjecture—a conjecture, however, which would have been entirely warrantable if its disciplinary value had been commensurate with its daring.
ANTHONY M. LUDOVICI.
(a) The Method of Investigation.
466.
The distinguishing feature of our nineteenth century is not the triumph of science, but the triumph of the scientific method over science.
467.
The history of scientific methods was regarded by Auguste Comte almost as philosophy itself.
468.
The great Methodologists: Aristotle, Bacon, Descartes, Auguste Comte.
469.
The most valuable knowledge is always discovered last: but the most valuable knowledge consists of methods.
