The Genealogy of Morals


Page 17 of 36



20.

According to the teaching of history, the consciousness of owing debts to the deity by no means came to an end with the decay of the clan organisation of society; just as mankind has inherited the ideas of "good" and "bad" from the race-nobility (together with its fundamental tendency towards establishing social distinctions), so with the heritage of the racial and tribal gods it has also inherited the incubus of debts as yet unpaid and the desire to discharge them. The transition is effected by those large populations of slaves and bondsmen, who, whether through[Pg 109] compulsion or through submission and "mimicry," have accommodated themselves to the religion of their masters; through this channel these inherited tendencies inundate the world. The feeling of owing a debt to the deity has grown continuously for several centuries, always in the same proportion in which the idea of God and the consciousness of God have grown and become exalted among mankind. (The whole history of ethnic fights, victories, reconciliations, amalgamations, everything, in fact, which precedes the eventual classing of all the social elements in each great race-synthesis, are mirrored in the hotch-potch genealogy of their gods, in the legends of their fights, victories, and reconciliations. Progress towards universal empires invariably means progress towards universal deities; despotism, with its subjugation of the independent nobility, always paves the way for some system or other of monotheism.) The appearance of the Christian god, as the record god up to this time, has for that very reason brought equally into the world the record amount of guilt consciousness. Granted that we have gradually started on the reverse movement, there is no little probability in the deduction, based on the continuous decay in the belief in the Christian god, to the effect that there also already exists a considerable decay in the human consciousness of owing (ought); in fact, we cannot shut our eyes to the prospect of the complete and eventual triumph of atheism freeing mankind from all this feeling of obligation to their origin, their causa prima. Atheism and a kind of second[Pg 110] innocence complement and supplement each other.

21.

So much for my rough and preliminary sketch of the interrelation of the ideas "ought" (owe) and "duty" with the postulates of religion. I have intentionally shelved up to the present the actual moralisation of these ideas (their being pushed back into the conscience, or more precisely the interweaving of the bad conscience with the idea of God), and at the end of the last paragraph used language to the effect that this moralisation did not exist, and that consequently these ideas had necessarily come to an end, by reason of what had happened to their hypothesis, the credence in our "creditor," in God. The actual facts differ terribly from this theory. It is with the moralisation of the ideas "ought" and "duty," and with their being pushed back into the bad conscience, that comes the first actual attempt to reverse the direction of the development we have just described, or at any rate to arrest its evolution; it is just at this juncture that the very hope of an eventual redemption has to put itself once for all into the prison of pessimism, it is at this juncture that the eye has to recoil and rebound in despair from off an adamantine impossibility, it is at this juncture that the ideas "guilt" and "duty" have to turn backwards—turn backwards against whom? There is no doubt about it; primarily against the "ower," in whom the bad conscience now establishes itself, eats, extends, and grows[Pg 111] like a polypus throughout its length and breadth, all with such virulence, that at last, with the impossibility of paying the debt, there becomes conceived the idea of the impossibility of paying the penalty, the thought of its inexpiability (the idea of "eternal punishment")—finally, too, it turns against the "creditor," whether found in the causa prima of man, the origin of the human race, its sire, who henceforth becomes burdened with a curse ("Adam," "original sin," "determination of the will"), or in Nature from whose womb man springs, and on whom the responsibility for the principle of evil is now cast ("Diabolisation of Nature"), or in existence generally, on this logic an absolute white elephant, with which mankind is landed (the Nihilistic flight from life, the demand for Nothingness, or for the opposite of existence, for some other existence, Buddhism and the like)—till suddenly we stand before that paradoxical and awful expedient, through which a tortured humanity has found a temporary alleviation, that stroke of genius called Christianity:—God personally immolating himself for the debt of man, God paying himself personally out of a pound of his own flesh, God as the one being who can deliver man from what man had become unable to deliver himself—the creditor playing scapegoat for his debtor, from love (can you believe it?), from love of his debtor!...

22.

The reader will already have conjectured what took place on the stage and behind the scenes of[Pg 112] this drama. That will for self-torture, that inverted cruelty of the animal man, who, turned subjective and scared into introspection (encaged as he was in "the State," as part of his taming process), invented the bad conscience so as to hurt himself, after the natural outlet for this will to hurt, became blocked—in other words, this man of the bad conscience exploited the religious hypothesis so as to carry his martyrdom to the ghastliest pitch of agonised intensity. Owing something to God: this thought becomes his instrument of torture. He apprehends in God the most extreme antitheses that he can find to his own characteristic and ineradicable animal instincts, he himself gives a new interpretation to these animal instincts as being against what he "owes" to God (as enmity, rebellion, and revolt against the "Lord," the "Father," the "Sire," the "Beginning of the world"), he places himself between the horns of the dilemma, "God" and "Devil." Every negation which he is inclined to utter to himself, to the nature, naturalness, and reality of his being, he whips into an ejaculation of "yes," uttering it as something existing, living, efficient, as being God, as the holiness of God, the judgment of God, as the hangmanship of God, as transcendence, as eternity, as unending torment, as hell, as infinity of punishment and guilt. This is a kind of madness of the will in the sphere of psychological cruelty which is absolutely unparalleled:—man's will to find himself guilty and blameworthy to the point of inexpiability, his will to think of himself as punished, without the punishment ever being[Pg 113] able to balance the guilt, his will to infect and to poison the fundamental basis of the universe with the problem of punishment and guilt, in order to cut off once and for all any escape out of this labyrinth of "fixed ideas," his will for rearing an ideal—that of the "holy God"—face to face with which he can have tangible proof of his own un-worthiness. Alas for this mad melancholy beast man! What phantasies invade it, what paroxysms of perversity, hysterical senselessness, and mental bestiality break out immediately, at the very slightest check on its being the beast of action. All this is excessively interesting, but at the same time tainted with a black, gloomy, enervating melancholy, so that a forcible veto must be invoked against looking too long into these abysses. Here is disease, undubitably, the most ghastly disease that has as yet played havoc among men: and he who can still hear (but man turns now deaf ears to such sounds), how in this night of torment and nonsense there has rung out the cry of love, the cry of the most passionate ecstasy, of redemption in love, he turns away gripped by an invincible horror—in man there is so much that is ghastly—too long has the world been a mad-house.



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