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379.

The Fool's Interruption.—It is not a misanthrope who has written this book: the hatred of men costs too dear to-day. To hate as they formerly hated man, in the fashion of Timon, completely, without qualification, with all the heart, from the pure love of hatred—for that purpose one would have to renounce contempt:—and how much refined pleasure, how much patience, how much benevolence even, do we owe to contempt! Moreover we are thereby the "elect of God": refined contempt is our taste and privilege, our art, our virtue[Pg 347] perhaps, we, the most modern amongst the moderns!... Hatred, on the contrary, makes equal, it puts men face to face, in hatred there is honour; finally, in hatred there is fear, quite a large amount of fear. We fearless ones, however, we, the most intellectual men of the period, know our advantage well enough to live without fear as the most intellectual persons of this age. People will not easily behead us, shut us up, or banish us; they will not even ban or burn our books. The age loves intellect, it loves us, and needs us, even when we have to give it to understand that we are artists in despising; that all intercourse with men is something of a horror to us; that with all our gentleness, patience, humanity and courteousness, we cannot persuade our nose to abandon its prejudice against the proximity of man; that we love nature the more, the less humanly things are done by her, and that we love art when it is the flight of the artist from man, or the raillery of the artist at man, or the raillery of the artist at himself....

380.

"The Wanderer" Speaks.—In order for once to get a glimpse of our European morality from a distance, in order to compare it with other earlier or future moralities, one must do as the traveller who wants to know the height of the towers of a city: for that purpose he leaves the city. "Thoughts concerning moral prejudices," if they are not to be prejudices concerning prejudices, presuppose a position outside of morality, some[Pg 348] sort of world beyond good and evil, to which one must ascend, climb, or fly—and in the given case at any rate, a position beyond our good and evil, an emancipation from all "Europe," understood as a sum of inviolable valuations which have become part and parcel of our flesh and blood. That one does want to get outside, or aloft, is perhaps a sort of madness, a peculiar, unreasonable "thou must"—for even we thinkers have our idiosyncrasies of "unfree will"—: the question is whether one can really get there. That may depend on manifold conditions: in the main it is a question of how light or how heavy we are, the problem of our "specific gravity." One must be very light in order to impel one's will to knowledge to such a distance, and as it were beyond one's age, in order to create eyes for oneself for the survey of millenniums, and a pure heaven in these eyes besides! One must have freed oneself from many things by which we Europeans of to-day are oppressed, hindered, held down, and made heavy. The man of such a "Beyond," who wants to get even in sight of the highest standards of worth of his age, must first of all "surmount" this age in himself—it is the test of his power—and consequently not only his age, but also his past aversion and opposition to his age, his suffering caused by his age, his unseasonableness, his Romanticism....

381.

The Question of Intelligibility.—One not only wants to be understood when one writes, but also—quite as certainly—not to be understood. It is[Pg 349] by no means an objection to a book when someone finds it unintelligible: perhaps this might just have been the intention of its author,—perhaps he did not want to be understood by "anyone." A distinguished intellect and taste, when it wants to communicate its thoughts, always selects its hearers; by selecting them, it at the same time closes its barriers against "the others." It is there that all the more refined laws of style have their origin: they at the same time keep off, they create distance, they prevent "access" (intelligibility, as we have said,)—while they open the ears of those who are acoustically related to them. And to say it between ourselves and with reference to my own case,—I do not desire that either my ignorance, or the vivacity of my temperament, should prevent me being understood by you, my friends: I certainly do not desire that my vivacity should have that effect, however much it may impel me to arrive quickly at an object, in order to arrive at it at all. For I think it is best to do with profound problems as with a cold bath—quickly in, quickly out. That one does not thereby get into the depths, that one does not get deep enough down—is a superstition of the hydrophobic, the enemies of cold water; they speak without experience. Oh! the great cold makes one quick!—And let me ask by the way: Is it a fact that a thing has been misunderstood and unrecognised when it has only been touched upon in passing, glanced at, flashed at? Must one absolutely sit upon it in the first place? Must one have brooded on it as on an egg? Diu noctuque incubando, as Newton said of himself? At[Pg 350] least there are truths of a peculiar shyness and ticklishness which one can only get hold of suddenly, and in no other way,—which one must either take by surprise, or leave alone.... Finally, my brevity has still another value: on those questions which pre-occupy me, I must say a great deal briefly, in order that it may be heard yet more briefly. For as immoralist, one has to take care lest one ruins innocence, I mean the asses and old maids of both sexes, who get nothing from life but their innocence; moreover my writings are meant to fill them with enthusiasm, to elevate them, to encourage them in virtue. I should be at a loss to know of anything more amusing than to see enthusiastic old asses and maids moved by the sweet feelings of virtue: and "that have I seen"—spake Zarathustra. So much with respect to brevity; the matter stands worse as regards my ignorance, of which I make no secret to myself. There are hours in which I am ashamed of it; to be sure there are likewise hours in which I am ashamed of this shame. Perhaps we philosophers, all of us, are badly placed at present with regard to knowledge: science is growing, the most learned of us are on the point of discovering that we know too little. But it would be worse still if it were otherwise,—if we knew too much; our duty is and remains first of all, not to get into confusion about ourselves. We are different from the learned; although it cannot be denied that amongst other things we are also learned. We have different needs, a different growth, a different digestion: we need more, we need also less. There is no formula[Pg 351] as to how much an intellect needs for its nourishment; if, however, its taste be in the direction of independence, rapid coming and going, travelling, and perhaps adventure for which only the swiftest are qualified, it prefers rather to live free on poor fare, than to be unfree and plethoric. Not fat, but the greatest suppleness and power is what a good dancer wishes from his nourishment,—and I know not what the spirit of a philosopher would like better than to be a good dancer. For the dance is his ideal, and also his art, in the end likewise his sole piety, his "divine service."...