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“He sank down on a bench and stammered:
“'It's he! It's he!'
“Then he asked:
“'What are we going to do?'
“She answered quickly:
“'We must get the children out of the way. Since Joseph knows everything, he can go and get them. We must take good care that our son-in-law doesn't find out.'
“My father seemed absolutely bewildered. He murmured:
“'What a catastrophe!'
“Suddenly growing furious, my mother exclaimed:
“'I always thought that that thief never would do anything, and that he would drop down on us again! As if one could expect anything from a Davranche!'
“My father passed his hand over his forehead, as he always did when his wife reproached him. She added:
“'Give Joseph some money so that he can pay for the oysters. All that it needed to cap the climax would be to be recognized by that beggar. That would be very pleasant! Let's get down to the other end of the boat, and take care that that man doesn't come near us!'
“They gave me five francs and walked away.
“Astonished, my sisters were awaiting their father. I said that mamma had felt a sudden attack of sea-sickness, and I asked the shell opener:
“'How much do we owe you, monsieur?'
“I felt like laughing: he was my uncle! He answered:
“'Two francs fifty.'
“I held out my five francs and he returned the change. I looked at his hand; it was a poor, wrinkled, sailor's hand, and I looked at his face, an unhappy old face. I said to myself:
“'That is my uncle, the brother of my father, my uncle!'
“I gave him a ten-cent tip. He thanked me:
“'God bless you, my young sir!'
“He spoke like a poor man receiving alms. I couldn't help thinking that he must have begged over there! My sisters looked at me, surprised at my generosity. When I returned the two francs to my father, my mother asked me in surprise:
“'Was there three francs' worth? That is impossible.'
“I answered in a firm voice
“'I gave ten cents as a tip.'
“My mother started, and, staring at me, she exclaimed:
“'You must be crazy! Give ten cents to that man, to that vagabond—'
“She stopped at a look from my father, who was pointing at his son-in-law. Then everybody was silent.
“Before us, on the distant horizon, a purple shadow seemed to rise out of the sea. It was Jersey.
“As we approached the breakwater a violent desire seized me once more to see my Uncle Jules, to be near him, to say to him something consoling, something tender. But as no one was eating any more oysters, he had disappeared, having probably gone below to the dirty hold which was the home of the poor wretch.”
Curving like a crescent moon, the little town of Etretat, with its white cliffs, its white, shingly beach and its blue sea, lay in the sunlight at high noon one July day. At either extremity of this crescent its two “gates,” the smaller to the right, the larger one at the left, stretched forth—one a dwarf and the other a colossal limb—into the water, and the bell tower, almost as tall as the cliff, wide below, narrowing at the top, raised its pointed summit to the sky.
On the sands beside the water a crowd was seated watching the bathers. On the terrace of, the Casino another crowd, seated or walking, displayed beneath the brilliant sky a perfect flower patch of bright costumes, with red and blue parasols embroidered with large flowers in silk.
On the walk at the end of the terrace, other persons, the restful, quiet ones, were walking slowly, far from the dressy throng.
A young man, well known and celebrated as a painter, Jean Sumner, was walking with a dejected air beside a wheeled chair in which sat a young woman, his wife. A manservant was gently pushing the chair, and the crippled woman was gazing sadly at the brightness of the sky, the gladness of the day, and the happiness of others.
They did not speak. They did not look at each other.
“Let us stop a while,” said the young woman.
They stopped, and the painter sat down on a camp stool that the servant handed him.
Those who were passing behind the silent and motionless couple looked at them compassionately. A whole legend of devotion was attached to them. He had married her in spite of her infirmity, touched by her affection for him, it was said.
Not far from there, two young men were chatting, seated on a bench and looking out into the horizon.
“No, it is not true; I tell you that I am well acquainted with Jean Sumner.”
“But then, why did he marry her? For she was a cripple when she married, was she not?”
“Just so. He married her—he married her—just as every one marries, parbleu! because he was an idiot!”
“But why?”
“But why—but why, my friend? There is no why. People do stupid things just because they do stupid things. And, besides, you know very well that painters make a specialty of foolish marriages. They almost always marry models, former sweethearts, in fact, women of doubtful reputation, frequently. Why do they do this? Who can say? One would suppose that constant association with the general run of models would disgust them forever with that class of women. Not at all. After having posed them they marry them. Read that little book, so true, so cruel and so beautiful, by Alphonse Daudet: 'Artists' Wives.'
“In the case of the couple you see over there the accident occurred in a special and terrible manner. The little woman played a frightful comedy, or, rather, tragedy. She risked all to win all. Was she sincere? Did she love Jean? Shall we ever know? Who is able to determine precisely how much is put on and how much is real in the actions of a woman? They are always sincere in an eternal mobility of impressions. They are furious, criminal, devoted, admirable and base in obedience to intangible emotions. They tell lies incessantly without intention, without knowing or understanding why, and in spite of it all are absolutely frank in their feelings and sentiments, which they display by violent, unexpected, incomprehensible, foolish resolutions which overthrow our arguments, our customary poise and all our selfish plans. The unforeseenness and suddenness of their determinations will always render them undecipherable enigmas as far as we are concerned. We continually ask ourselves:
