Maupassant Original Short Stories (180), Complete


Page 350 of 406



Then I took scissors, short-nail scissors, and I cut its throat with three slits, quite gently. It opened its bill, it struggled to escape me, but I held it, oh! I held it—I could have held a mad dog—and I saw the blood trickle.

And then I did as assassins do—real ones. I washed the scissors, I washed my hands. I sprinkled water and took the body, the corpse, to the garden to hide it. I buried it under a strawberry-plant. It will never be found. Every day I shall eat a strawberry from that plant. How one can enjoy life when one knows how!

My servant cried; he thought his bird flown. How could he suspect me? Ah! ah!

25th August. I must kill a man! I must—

30th August. It is done. But what a little thing! I had gone for a walk in the forest of Vernes. I was thinking of nothing, literally nothing. A child was in the road, a little child eating a slice of bread and butter.

He stops to see me pass and says, “Good-day, Mr. President.”

And the thought enters my head, “Shall I kill him?”

I answer: “You are alone, my boy?”

“Yes, sir.”

“All alone in the wood?”

“Yes, sir.”

The wish to kill him intoxicated me like wine. I approached him quite softly, persuaded that he was going to run away. And, suddenly, I seized him by the throat. He looked at me with terror in his eyes—such eyes! He held my wrists in his little hands and his body writhed like a feather over the fire. Then he moved no more. I threw the body in the ditch, and some weeds on top of it. I returned home, and dined well. What a little thing it was! In the evening I was very gay, light, rejuvenated; I passed the evening at the Prefect's. They found me witty. But I have not seen blood! I am tranquil.

31st August. The body has been discovered. They are hunting for the assassin. Ah! ah!

1st September. Two tramps have been arrested. Proofs are lacking.

2d September. The parents have been to see me. They wept! Ah! ah!

6th October. Nothing has been discovered. Some strolling vagabond must have done the deed. Ah! ah! If I had seen the blood flow, it seems to me I should be tranquil now! The desire to kill is in my blood; it is like the passion of youth at twenty.

20th October. Yet another. I was walking by the river, after breakfast. And I saw, under a willow, a fisherman asleep. It was noon. A spade was standing in a potato-field near by, as if expressly, for me.

I took it. I returned; I raised it like a club, and with one blow of the edge I cleft the fisherman's head. Oh! he bled, this one! Rose-colored blood. It flowed into the water, quite gently. And I went away with a grave step. If I had been seen! Ah! ah! I should have made an excellent assassin.

25th October. The affair of the fisherman makes a great stir. His nephew, who fished with him, is charged with the murder.

26th October. The examining magistrate affirms that the nephew is guilty. Everybody in town believes it. Ah! ah!

27th October. The nephew makes a very poor witness. He had gone to the village to buy bread and cheese, he declared. He swore that his uncle had been killed in his absence! Who would believe him?

28th October. The nephew has all but confessed, they have badgered him so. Ah! ah! justice!

15th November. There are overwhelming proofs against the nephew, who was his uncle's heir. I shall preside at the sessions.

25th January. To death! to death! to death! I have had him condemned to death! Ah! ah! The advocate-general spoke like an angel! Ah! ah! Yet another! I shall go to see him executed!

10th March. It is done. They guillotined him this morning. He died very well! very well! That gave me pleasure! How fine it is to see a man's head cut off!

Now, I shall wait, I can wait. It would take such a little thing to let myself be caught.

The manuscript contained yet other pages, but without relating any new crime.

Alienist physicians to whom the awful story has been submitted declare that there are in the world many undiscovered madmen as adroit and as much to be feared as this monstrous lunatic.





THE MASK

There was a masquerade ball at the Elysee-Montmartre that evening. It was the 'Mi-Careme', and the crowds were pouring into the brightly lighted passage which leads to the dance ball, like water flowing through the open lock of a canal. The loud call of the orchestra, bursting like a storm of sound, shook the rafters, swelled through the whole neighborhood and awoke, in the streets and in the depths of the houses, an irresistible desire to jump, to get warm, to have fun, which slumbers within each human animal.

The patrons came from every quarter of Paris; there were people of all classes who love noisy pleasures, a little low and tinged with debauch. There were clerks and girls—girls of every description, some wearing common cotton, some the finest batiste; rich girls, old and covered with diamonds, and poor girls of sixteen, full of the desire to revel, to belong to men, to spend money. Elegant black evening suits, in search of fresh or faded but appetizing novelty, wandering through the excited crowds, looking, searching, while the masqueraders seemed moved above all by the desire for amusement. Already the far-famed quadrilles had attracted around them a curious crowd. The moving hedge which encircled the four dancers swayed in and out like a snake, sometimes nearer and sometimes farther away, according to the motions of the performers. The two women, whose lower limbs seemed to be attached to their bodies by rubber springs, were making wonderful and surprising motions with their legs. Their partners hopped and skipped about, waving their arms about. One could imagine their panting breath beneath their masks.

One of them, who had taken his place in the most famous quadrille, as substitute for an absent celebrity, the handsome “Songe-au-Gosse,” was trying to keep up with the tireless “Arete-de-Veau” and was making strange fancy steps which aroused the joy and sarcasm of the audience.

He was thin, dressed like a dandy, with a pretty varnished mask on his face. It had a curly blond mustache and a wavy wig. He looked like a wax figure from the Musee Grevin, like a strange and fantastic caricature of the charming young man of fashion plates, and he danced with visible effort, clumsily, with a comical impetuosity. He appeared rusty beside the others when he tried to imitate their gambols: he seemed overcome by rheumatism, as heavy as a great Dane playing with greyhounds. Mocking bravos encouraged him. And he, carried away with enthusiasm, jigged about with such frenzy that suddenly, carried away by a wild spurt, he pitched head foremost into the living wall formed by the audience, which opened up before him to allow him to pass, then closed around the inanimate body of the dancer, stretched out on his face.



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