The New Machiavelli


Page 3 of 114



My games upon the floor must have spread over several years and developed from small beginnings, incorporating now this suggestion and now that. They stretch, I suppose, from seven to eleven or twelve. I played them intermittently, and they bulk now in the retrospect far more significantly than they did at the time. I played them in bursts, and then forgot them for long periods; through the spring and summer I was mostly out of doors, and school and classes caught me early. And in the retrospect I see them all not only magnified and transfigured, but fore-shortened and confused together. A clockwork railway, I seem to remember, came and went; one or two clockwork boats, toy sailing ships that, being keeled, would do nothing but lie on their beam ends on the floor; a detestable lot of cavalrymen, undersized and gilt all over, given me by a maiden aunt, and very much what one might expect from an aunt, that I used as Nero used his Christians to ornament my public buildings; and I finally melted some into fratricidal bullets, and therewith blew the rest to flat splashes of lead by means of a brass cannon in the garden.

I find this empire of the floor much more vivid and detailed in my memory now than many of the owners of the skirts and legs and boots that went gingerly across its territories. Occasionally, alas! they stooped to scrub, abolishing in one universal destruction the slow growth of whole days of civilised development. I still remember the hatred and disgust of these catastrophes. Like Noah I was given warnings. Did I disregard them, coarse red hands would descend, plucking garrisons from fortresses and sailors from ships, jumbling them up in their wrong boxes, clumsily so that their rifles and swords were broken, sweeping the splendid curves of the Imperial Road into heaps of ruins, casting the jungle growth of Zululand into the fire.

“Well, Master Dick,” the voice of this cosmic calamity would say, “you ought to have put them away last night. No! I can't wait until you've sailed them all away in ships. I got my work to do, and do it I will.”

And in no time all my continents and lands were swirling water and swiping strokes of house-flannel.

That was the worst of my giant visitants, but my mother too, dear lady, was something of a terror to this microcosm. She wore spring-sided boots, a kind of boot now vanished, I believe, from the world, with dull bodies and shiny toes, and a silk dress with flounces that were very destructive to the more hazardous viaducts of the Imperial Road. She was always, I seem to remember, fetching me; fetching me for a meal, fetching me for a walk or, detestable absurdity! fetching me for a wash and brush up, and she never seemed to understand anything whatever of the political Systems across which she came to me. Also she forbade all toys on Sundays except the bricks for church-building and the soldiers for church parade, or a Scriptural use of the remains of the Noah's Ark mixed up with a wooden Swiss dairy farm. But she really did not know whether a thing was a church or not unless it positively bristled with cannon, and many a Sunday afternoon have I played Chicago (with the fear of God in my heart) under an infidel pretence that it was a new sort of ark rather elaborately done.

Chicago, I must explain, was based upon my father's description of the pig slaughterings in that city and certain pictures I had seen. You made your beasts—which were all the ark lot really, provisionally conceived as pigs—go up elaborate approaches to a central pen, from which they went down a cardboard slide four at a time, and dropped most satisfyingly down a brick shaft, and pitter-litter over some steep steps to where a head slaughterman (ne Noah) strung a cotton loop round their legs and sent them by pin hooks along a wire to a second slaughterman with a chipped foot (formerly Mrs. Noah) who, if I remember rightly, converted them into Army sausage by means of a portion of the inside of an old alarum clock.

My mother did not understand my games, but my father did. He wore bright-coloured socks and carpet slippers when he was indoors—my mother disliked boots in the house—and he would sit down on my little chair and survey the microcosm on the floor with admirable understanding and sympathy.

It was he who gave me most of my toys and, I more than suspect, most of my ideas. “Here's some corrugated iron,” he would say, “suitable for roofs and fencing,” and hand me a lump of that stiff crinkled paper that is used for packing medicine bottles. Or, “Dick, do you see the tiger loose near the Imperial Road?—won't do for your cattle ranch.” And I would find a bright new lead tiger like a special creation at large in the world, and demanding a hunting expedition and much elaborate effort to get him safely housed in the city menagerie beside the captured dragon crocodile, tamed now, and his key lost and the heart and spring gone out of him.

And to the various irregular reading of my father I owe the inestimable blessing of never having a boy's book in my boyhood except those of Jules Verne. But my father used to get books for himself and me from the Bromstead Institute, Fenimore Cooper and Mayne Reid and illustrated histories; one of the Russo-Turkish war and one of Napier's expedition to Abyssinia I read from end to end; Stanley and Livingstone, lives of Wellington, Napoleon and Garibaldi, and back volumes of PUNCH, from which I derived conceptions of foreign and domestic politics it has taken years of adult reflection to correct. And at home permanently we had Wood's NATURAL HISTORY, a brand-new illustrated Green's HISTORY OF THE ENGLISH PEOPLE, Irving's COMPANIONS OF COLUMBUS, a great number of unbound parts of some geographical work, a VOYAGE ROUND THE WORLD I think it was called, with pictures of foreign places, and Clarke's NEW TESTAMENT with a map of Palestine, and a variety of other informing books bought at sales. There was a Sowerby's BOTANY also, with thousands of carefully tinted pictures of British plants, and one or two other important works in the sitting-room. I was allowed to turn these over and even lie on the floor with them on Sundays and other occasions of exceptional cleanliness.

And in the attic I found one day a very old forgotten map after the fashion of a bird's-eye view, representing the Crimea, that fascinated me and kept me for hours navigating its waters with a pin.

2

My father was a lank-limbed man in easy shabby tweed clothes and with his hands in his trouser pockets. He was a science teacher, taking a number of classes at the Bromstead Institute in Kent under the old Science and Art Department, and “visiting” various schools; and our resources were eked out by my mother's income of nearly a hundred pounds a year, and by his inheritance of a terrace of three palatial but structurally unsound stucco houses near Bromstead Station.

They were big clumsy residences in the earliest Victorian style, interminably high and with deep damp basements and downstairs coal-cellars and kitchens that suggested an architect vindictively devoted to the discomfort of the servant class. If so, he had overreached himself and defeated his end, for no servant would stay in them unless for exceptional wages or exceptional tolerance of inefficiency or exceptional freedom in repartee. Every storey in the house was from twelve to fifteen feet high (which would have been cool and pleasant in a hot climate), and the stairs went steeply up, to end at last in attics too inaccessible for occupation. The ceilings had vast plaster cornices of classical design, fragments of which would sometimes fall unexpectedly, and the wall-papers were bold and gigantic in pattern and much variegated by damp and ill-mended rents.



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