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This action was so unlike her usual composure and the fear depicted on Prince Vasli’s face so out of keeping with his dignity that Pierre stopped and glanced inquiringly over his spectacles at his guide. Anna Mikhylovna evinced no surprise, she only smiled faintly and sighed, as if to say that this was no more than she had expected.
“Be a man, my friend. I will look after your interests,” said she in reply to his look, and went still faster along the passage.
Pierre could not make out what it was all about, and still less what “watching over his interests” meant, but he decided that all these things had to be. From the passage they went into a large, dimly lit room adjoining the count’s reception room. It was one of those sumptuous but cold apartments known to Pierre only from the front approach, but even in this room there now stood an empty bath, and water had been spilled on the carpet. They were met by a deacon with a censer and by a servant who passed out on tiptoe without heeding them. They went into the reception room familiar to Pierre, with two Italian windows opening into the conservatory, with its large bust and full length portrait of Catherine the Great. The same people were still sitting here in almost the same positions as before, whispering to one another. All became silent and turned to look at the pale tear-worn Anna Mikhylovna as she entered, and at the big stout figure of Pierre who, hanging his head, meekly followed her.
Anna Mikhylovna’s face expressed a consciousness that the decisive moment had arrived. With the air of a practical Petersburg lady she now, keeping Pierre close beside her, entered the room even more boldly than that afternoon. She felt that as she brought with her the person the dying man wished to see, her own admission was assured. Casting a rapid glance at all those in the room and noticing the count’s confessor there, she glided up to him with a sort of amble, not exactly bowing yet seeming to grow suddenly smaller, and respectfully received the blessing first of one and then of another priest.
“God be thanked that you are in time,” said she to one of the priests; “all we relatives have been in such anxiety. This young man is the count’s son,” she added more softly. “What a terrible moment!”
Having said this she went up to the doctor.
“Dear doctor,” said she, “this young man is the count’s son. Is there any hope?”
The doctor cast a rapid glance upwards and silently shrugged his shoulders. Anna Mikhylovna with just the same movement raised her shoulders and eyes, almost closing the latter, sighed, and moved away from the doctor to Pierre. To him, in a particularly respectful and tenderly sad voice, she said:
“Trust in His mercy!” and pointing out a small sofa for him to sit and wait for her, she went silently toward the door that everyone was watching and it creaked very slightly as she disappeared behind it.
Pierre, having made up his mind to obey his monitress implicitly, moved toward the sofa she had indicated. As soon as Anna Mikhylovna had disappeared he noticed that the eyes of all in the room turned to him with something more than curiosity and sympathy. He noticed that they whispered to one another, casting significant looks at him with a kind of awe and even servility. A deference such as he had never before received was shown him. A strange lady, the one who had been talking to the priests, rose and offered him her seat; an aide-de-camp picked up and returned a glove Pierre had dropped; the doctors became respectfully silent as he passed by, and moved to make way for him. At first Pierre wished to take another seat so as not to trouble the lady, and also to pick up the glove himself and to pass round the doctors who were not even in his way; but all at once he felt that this would not do, and that tonight he was a person obliged to perform some sort of awful rite which everyone expected of him, and that he was therefore bound to accept their services. He took the glove in silence from the aide-de-camp, and sat down in the lady’s chair, placing his huge hands symmetrically on his knees in the nave attitude of an Egyptian statue, and decided in his own mind that all was as it should be, and that in order not to lose his head and do foolish things he must not act on his own ideas tonight, but must yield himself up entirely to the will of those who were guiding him.
Not two minutes had passed before Prince Vasli with head erect majestically entered the room. He was wearing his long coat with three stars on his breast. He seemed to have grown thinner since the morning; his eyes seemed larger than usual when he glanced round and noticed Pierre. He went up to him, took his hand (a thing he never used to do), and drew it downwards as if wishing to ascertain whether it was firmly fixed on.
“Courage, courage, my friend! He has asked to see you. That is well!” and he turned to go.
But Pierre thought it necessary to ask: “How is...” and hesitated, not knowing whether it would be proper to call the dying man “the count,” yet ashamed to call him “father.”
“He had another stroke about half an hour ago. Courage, my friend...”
Pierre’s mind was in such a confused state that the word “stroke” suggested to him a blow from something. He looked at Prince Vasli in perplexity, and only later grasped that a stroke was an attack of illness. Prince Vasli said something to Lorrain in passing and went through the door on tiptoe. He could not walk well on tiptoe and his whole body jerked at each step. The eldest princess followed him, and the priests and deacons and some servants also went in at the door. Through that door was heard a noise of things being moved about, and at last Anna Mikhylovna, still with the same expression, pale but resolute in the discharge of duty, ran out and touching Pierre lightly on the arm said:
“The divine mercy is inexhaustible! Unction is about to be administered. Come.”
Pierre went in at the door, stepping on the soft carpet, and noticed that the strange lady, the aide-de-camp, and some of the servants, all followed him in, as if there were now no further need for permission to enter that room.
Pierre well knew this large room divided by columns and an arch, its walls hung round with Persian carpets. The part of the room behind the columns, with a high silk-curtained mahogany bedstead on one side and on the other an immense case containing icons, was brightly illuminated with red light like a Russian church during evening service. Under the gleaming icons stood a long invalid chair, and in that chair on snowy-white smooth pillows, evidently freshly changed, Pierre saw—covered to the waist by a bright green quilt—the familiar, majestic figure of his father, Count Bezkhov, with that gray mane of hair above his broad forehead which reminded one of a lion, and the deep characteristically noble wrinkles of his handsome, ruddy face. He lay just under the icons; his large thick hands outside the quilt. Into the right hand, which was lying palm downwards, a wax taper had been thrust between forefinger and thumb, and an old servant, bending over from behind the chair, held it in position. By the chair stood the priests, their long hair falling over their magnificent glittering vestments, with lighted tapers in their hands, slowly and solemnly conducting the service. A little behind them stood the two younger princesses holding handkerchiefs to their eyes, and just in front of them their eldest sister, Catiche, with a vicious and determined look steadily fixed on the icons, as though declaring to all that she could not answer for herself should she glance round. Anna Mikhylovna, with a meek, sorrowful, and all-forgiving expression on her face, stood by the door near the strange lady. Prince Vasli in front of the door, near the invalid chair, a wax taper in his left hand, was leaning his left arm on the carved back of a velvet chair he had turned round for the purpose, and was crossing himself with his right hand, turning his eyes upward each time he touched his forehead. His face wore a calm look of piety and resignation to the will of God. “If you do not understand these sentiments,” he seemed to be saying, “so much the worse for you!”
