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But it was a remarkable attribute of this garb, and, indeed, of the child's whole appearance, that it irresistibly and inevitably reminded the beholder of the token which Hester Prynne was doomed to wear upon her bosom. It was the scarlet letter in another form; the scarlet letter endowed with life! The mother herself—as if the red ignominy were so deeply scorched into her brain that all her conceptions assumed its form—had[121] carefully wrought out the similitude; lavishing many hours of morbid ingenuity, to create an analogy between the object of her affection and the emblem of her guilt and torture. But, in truth, Pearl was the one, as well as the other; and only in consequence of that identity had Hester contrived so perfectly to represent the scarlet letter in her appearance.
As the two wayfarers came within the precincts of the town, the children of the Puritans looked up from their play,—or what passed for play with those sombre little urchins,—and spake gravely one to another:—
“Behold, verily, there is the woman of the scarlet letter; and, of a truth, moreover, there is the likeness of the scarlet letter running along by her side! Come, therefore, and let us fling mud at them!”
But Pearl, who was a dauntless child, after frowning, stamping her foot, and shaking her little hand with a variety of threatening gestures, suddenly made a rush at the knot of her enemies, and put them all to flight. She resembled, in her fierce pursuit of them, an infant pestilence,—the scarlet fever, or some such half-fledged angel of judgment,—whose mission was to punish the sins of the rising generation. She screamed and shouted, too, with a terrific volume of sound, which, doubtless, caused the hearts of the fugitives to quake within them. The victory accomplished, Pearl returned quietly to her mother, and looked up, smiling, into her face.
Without further adventure, they reached the dwelling of Governor Bellingham. This was a large wooden house, built in a fashion of which there are specimens still extant in the streets of our older towns; now moss-grown, crumbling to decay, and melancholy at heart with the many sorrowful or joyful occurrences,[122] remembered or forgotten, that have happened, and passed away, within their dusky chambers. Then, however, there was the freshness of the passing year on its exterior, and the cheerfulness, gleaming forth from the sunny windows, of a human habitation, into which death had never entered. It had, indeed, a very cheery aspect; the walls being overspread with a kind of stucco, in which fragments of broken glass were plentifully intermixed; so that, when the sunshine fell aslant-wise over the front of the edifice, it glittered and sparkled as if diamonds had been flung against it by the double handful. The brilliancy might have befitted Aladdin's palace, rather than the mansion of a grave old Puritan ruler. It was further decorated with strange and seemingly cabalistic figures and diagrams, suitable to the quaint taste of the age, which had been drawn in the stucco when newly laid on, and had now grown hard and durable, for the admiration of after times.
Pearl, looking at this bright wonder of a house, began to caper and dance, and imperatively required that the whole breadth of sunshine should be stripped off its front, and given her to play with.
“No, my little Pearl!” said her mother. “Thou must gather thine own sunshine. I have none to give thee!”
They approached the door; which was of an arched form, and flanked on each side by a narrow tower or projection of the edifice, in both of which were lattice-windows, with wooden shutters to close over them at need. Lifting the iron hammer that hung at the portal, Hester Prynne gave a summons, which was answered by one of the Governor's bond-servants; a free-born Englishman, but now a seven years' slave. During that term he was to be the property of his master, and as much a[123] commodity of bargain and sale as an ox, or a joint-stool. The serf wore the blue coat, which was the customary garb of serving-men of that period, and long before, in the old hereditary halls of England.
“Is the worshipful Governor Bellingham within?” inquired Hester.
“Yea, forsooth,” replied the bond-servant, staring with wide-open eyes at the scarlet letter, which, being a new-comer in the country, he had never before seen. “Yea, his honorable worship is within. But he hath a godly minister or two with him, and likewise a leech. Ye may not see his worship now.”
“Nevertheless, I will enter,” answered Hester Prynne, and the bond-servant, perhaps judging from the decision of her air, and the glittering symbol in her bosom, that she was a great lady in the land, offered no opposition.
So the mother and little Pearl were admitted into the hall of entrance. With many variations, suggested by the nature of his building-materials, diversity of climate, and a different mode of social life, Governor Bellingham had planned his new habitation after the residences of gentlemen of fair estate in his native land. Here, then, was a wide and reasonably lofty hall, extending through the whole depth of the house, and forming a medium of general communication, more or less directly, with all the other apartments. At one extremity, this spacious room was lighted by the windows of the two towers, which formed a small recess on either side of the portal. At the other end, though partly muffled by a curtain, it was more powerfully illuminated by one of those embowed hall-windows which we read of in old books, and which was provided with a deep and cushioned seat. Here, on the cushion, lay a folio tome, probably of the Chronicles[124] of England, or other such substantial literature; even as, in our own days, we scatter gilded volumes on the centre-table, to be turned over by the casual guest. The furniture of the hall consisted of some ponderous chairs, the backs of which were elaborately carved with wreaths of oaken flowers; and likewise a table in the same taste; the whole being of the Elizabethan age, or perhaps earlier, and heirlooms, transferred hither from the Governor's paternal home. On the table—in token that the sentiment of old English hospitality had not been left behind—stood a large pewter tankard, at the bottom of which, had Hester or Pearl peeped into it, they might have seen the frothy remnant of a recent draught of ale.
On the wall hung a row of portraits, representing the forefathers of the Bellingham lineage, some with armor on their breasts, and others with stately ruffs and robes of peace. All were characterized by the sternness and severity which old portraits so invariably put on; as if they were the ghosts, rather than the pictures, of departed worthies, and were gazing with harsh and intolerant criticism at the pursuits and enjoyments of living men.
At about the centre of the oaken panels, that lined the hall, was suspended a suit of mail, not, like the pictures, an ancestral relic, but of the most modern date; for it had been manufactured by a skilful armorer in London, the same year in which Governor Bellingham came over to New England. There was a[126] steel head-piece, a cuirass, a gorget, and greaves, with a pair of gauntlets and a sword hanging beneath; all, and especially the helmet and breastplate, so highly burnished as to glow with white radiance, and scatter an illumination everywhere about upon the floor. This bright panoply was not meant for mere[127] idle show, but had been worn by the Governor on many a solemn muster and training field, and had glittered, moreover, at the head of a regiment in the Pequod war. For, though bred a lawyer, and accustomed to speak of Bacon, Coke, Noye, and Finch as his professional associates, the exigencies of this new country had transformed Governor Bellingham into a soldier, as well as a statesman and ruler.
