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Thus begins the passage from the outward to the inward sense. But as yet there is no conception of a universal—the mind only remembers the individual object or objects, and is always attaching to them some colour or association of sense. The power of recollection seems to depend on the intensity or largeness of the perception, or on the strength of some emotion with which it is inseparably connected. This is the natural memory which is allied to sense, such as children appear to have and barbarians and animals. It is necessarily limited in range, and its limitation is its strength. In later life, when the mind has become crowded with names, acts, feelings, images innumerable, we acquire by education another memory of system and arrangement which is both stronger and weaker than the first—weaker in the recollection of sensible impressions as they are represented to us by eye or ear—stronger by the natural connexion of ideas with objects or with one another. And many of the notions which form a part of the train of our thoughts are hardly realized by us at the time, but, like numbers or algebraical symbols, are used as signs only, thus lightening the labour of recollection.

And now we may suppose that numerous images present themselves to the mind, which begins to act upon them and to arrange them in various ways. Besides the impression of external objects present with us or just absent from us, we have a dimmer conception of other objects which have disappeared from our immediate recollection and yet continue to exist in us. The mind is full of fancies which are passing to and fro before it. Some feeling or association calls them up, and they are uttered by the lips. This is the first rudimentary imagination, which may be truly described in the language of Hobbes, as 'decaying sense,' an expression which may be applied with equal truth to memory as well. For memory and imagination, though we sometimes oppose them, are nearly allied; the difference between them seems chiefly to lie in the activity of the one compared with the passivity of the other. The sense decaying in memory receives a flash of light or life from imagination. Dreaming is a link of connexion between them; for in dreaming we feebly recollect and also feebly imagine at one and the same time. When reason is asleep the lower part of the mind wanders at will amid the images which have been received from without, the intelligent element retires, and the sensual or sensuous takes its place. And so in the first efforts of imagination reason is latent or set aside; and images, in part disorderly, but also having a unity (however imperfect) of their own, pour like a flood over the mind. And if we could penetrate into the heads of animals we should probably find that their intelligence, or the state of what in them is analogous to our intelligence, is of this nature.

Thus far we have been speaking of men, rather in the points in which they resemble animals than in the points in which they differ from them. The animal too has memory in various degrees, and the elements of imagination, if, as appears to be the case, he dreams. How far their powers or instincts are educated by the circumstances of their lives or by intercourse with one another or with mankind, we cannot precisely tell. They, like ourselves, have the physical inheritance of form, scent, hearing, sight, and other qualities or instincts. But they have not the mental inheritance of thoughts and ideas handed down by tradition, 'the slow additions that build up the mind' of the human race. And language, which is the great educator of mankind, is wanting in them; whereas in us language is ever present—even in the infant the latent power of naming is almost immediately observable. And therefore the description which has been already given of the nascent power of the faculties is in reality an anticipation. For simultaneous with their growth in man a growth of language must be supposed. The child of two years old sees the fire once and again, and the feeble observation of the same recurring object is associated with the feeble utterance of the name by which he is taught to call it. Soon he learns to utter the name when the object is no longer there, but the desire or imagination of it is present to him. At first in every use of the word there is a colour of sense, an indistinct picture of the object which accompanies it. But in later years he sees in the name only the universal or class word, and the more abstract the notion becomes, the more vacant is the image which is presented to him. Henceforward all the operations of his mind, including the perceptions of sense, are a synthesis of sensations, words, conceptions. In seeing or hearing or looking or listening the sensible impression prevails over the conception and the word. In reflection the process is reversed—the outward object fades away into nothingness, the name or the conception or both together are everything. Language, like number, is intermediate between the two, partaking of the definiteness of the outer and of the universality of the inner world. For logic teaches us that every word is really a universal, and only condescends by the help of position or circumlocution to become the expression of individuals or particulars. And sometimes by using words as symbols we are able to give a 'local habitation and a name' to the infinite and inconceivable.

Thus we see that no line can be drawn between the powers of sense and of reflection—they pass imperceptibly into one another. We may indeed distinguish between the seeing and the closed eye—between the sensation and the recollection of it. But this distinction carries us a very little way, for recollection is present in sight as well as sight in recollection. There is no impression of sense which does not simultaneously recall differences of form, number, colour, and the like. Neither is such a distinction applicable at all to our internal bodily sensations, which give no sign of themselves when unaccompanied with pain, and even when we are most conscious of them, have often no assignable place in the human frame. Who can divide the nerves or great nervous centres from the mind which uses them? Who can separate the pains and pleasures of the mind from the pains and pleasures of the body? The words 'inward and outward,' 'active and passive,' 'mind and body,' are best conceived by us as differences of degree passing into differences of kind, and at one time and under one aspect acting in harmony and then again opposed. They introduce a system and order into the knowledge of our being; and yet, like many other general terms, are often in advance of our actual analysis or observation.

According to some writers the inward sense is only the fading away or imperfect realization of the outward. But this leaves out of sight one half of the phenomenon. For the mind is not only withdrawn from the world of sense but introduced to a higher world of thought and reflection, in which, like the outward sense, she is trained and educated. By use the outward sense becomes keener and more intense, especially when confined within narrow limits. The savage with little or no thought has a quicker discernment of the track than the civilised man; in like manner the dog, having the help of scent as well as of sight, is superior to the savage. By use again the inward thought becomes more defined and distinct; what was at first an effort is made easy by the natural instrumentality of language, and the mind learns to grasp universals with no more exertion than is required for the sight of an outward object. There is a natural connexion and arrangement of them, like the association of objects in a landscape. Just as a note or two of music suffices to recall a whole piece to the musician's or composer's mind, so a great principle or leading thought suggests and arranges a world of particulars. The power of reflection is not feebler than the faculty of sense, but of a higher and more comprehensive nature. It not only receives the universals of sense, but gives them a new content by comparing and combining them with one another. It withdraws from the seen that it may dwell in the unseen. The sense only presents us with a flat and impenetrable surface: the mind takes the world to pieces and puts it together on a new pattern. The universals which are detached from sense are reconstructed in science. They and not the mere impressions of sense are the truth of the world in which we live; and (as an argument to those who will only believe 'what they can hold in their hands') we may further observe that they are the source of our power over it. To say that the outward sense is stronger than the inward is like saying that the arm of the workman is stronger than the constructing or directing mind.