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Jean Valjean went into the house with Marius’ letter.
He groped his way up the stairs, as pleased with the darkness as an owl who grips his prey, opened and shut his door softly, listened to see whether he could hear any noise,—made sure that, to all appearances, Cosette and Toussaint were asleep, and plunged three or four matches into the bottle of the Fumade lighter before he could evoke a spark, so greatly did his hand tremble. What he had just done smacked of theft. At last the candle was lighted; he leaned his elbows on the table, unfolded the paper, and read.
In violent emotions, one does not read, one flings to the earth, so to speak, the paper which one holds, one clutches it like a victim, one crushes it, one digs into it the nails of one’s wrath, or of one’s joy; one hastens to the end, one leaps to the beginning; attention is at fever heat; it takes up in the gross, as it were, the essential points; it seizes on one point, and the rest disappears. In Marius’ note to Cosette, Jean Valjean saw only these words:—
“I die. When thou readest this, my soul will be near thee.”
In the presence of these two lines, he was horribly dazzled; he remained for a moment, crushed, as it were, by the change of emotion which was taking place within him, he stared at Marius’ note with a sort of intoxicated amazement, he had before his eyes that splendor, the death of a hated individual.
He uttered a frightful cry of inward joy. So it was all over. The catastrophe had arrived sooner than he had dared to hope. The being who obstructed his destiny was disappearing. That man had taken himself off of his own accord, freely, willingly. This man was going to his death, and he, Jean Valjean, had had no hand in the matter, and it was through no fault of his. Perhaps, even, he is already dead. Here his fever entered into calculations. No, he is not dead yet. The letter had evidently been intended for Cosette to read on the following morning; after the two discharges that were heard between eleven o’clock and midnight, nothing more has taken place; the barricade will not be attacked seriously until daybreak; but that makes no difference, from the moment when “that man” is concerned in this war, he is lost; he is caught in the gearing. Jean Valjean felt himself delivered. So he was about to find himself alone with Cosette once more. The rivalry would cease; the future was beginning again. He had but to keep this note in his pocket. Cosette would never know what had become of that man. All that there requires to be done is to let things take their own course. This man cannot escape. If he is not already dead, it is certain that he is about to die. What good fortune!
Having said all this to himself, he became gloomy.
Then he went downstairs and woke up the porter.
About an hour later, Jean Valjean went out in the complete costume of a National Guard, and with his arms. The porter had easily found in the neighborhood the wherewithal to complete his equipment. He had a loaded gun and a cartridge-box filled with cartridges.
He strode off in the direction of the markets.
In the meantime, Gavroche had had an adventure.
Gavroche, after having conscientiously stoned the lantern in the Rue du Chaume, entered the Rue des Vieilles-Haudriettes, and not seeing “even a cat” there, he thought the opportunity a good one to strike up all the song of which he was capable. His march, far from being retarded by his singing, was accelerated by it. He began to sow along the sleeping or terrified houses these incendiary couplets:—
“L’oiseau mdit dans les charmilles, Et prtend qu’hier Atala Avec un Russe s’en alla. O vont les belles filles, Lon la. “Mon ami Pierrot, tu babilles, Parce que l’autre jour Mila Cogna sa vitre et m’appela, O vont les belles filles, Lon la. “Les drlesses sont fort gentilles, Leur poison qui m’ensorcela Griserait Monsieur Orfila. O vont les belles filles, Lon la. “J’aime l’amour et les bisbilles, J’aime Agns, j’aime Pamla, Lise en m’allumant se brla. O vont les belles filles, Lon la. “Jadis, quand je vis les mantilles De Suzette et de Zila, Mon me leurs plis se mla, O vont les belles filles, Lon la. “Amour, quand dans l’ombre o tu brilles, Tu coiffes de roses Lola, Je me damnerais pour cela. O vont les belles filles, Lon la. “Jeanne ton miroir tu t’habilles! Mon cur un beau jour s’envola. Je crois que c’est Jeanne qui l’a. O vont les belles filles, Lon la. “Le soir, en sortant des quadrilles, Je montre aux toiles Stella, Et je leur dis: ‘Regardez-la.’ O vont les belles filles, Lon la."56
Gavroche, as he sang, was lavish of his pantomime. Gesture is the strong point of the refrain. His face, an inexhaustible repertory of masks, produced grimaces more convulsing and more fantastic than the rents of a cloth torn in a high gale. Unfortunately, as he was alone, and as it was night, this was neither seen nor even visible. Such wastes of riches do occur.
All at once, he stopped short.
“Let us interrupt the romance,” said he.
His feline eye had just descried, in the recess of a carriage door, what is called in painting, an ensemble, that is to say, a person and a thing; the thing was a hand-cart, the person was a man from Auvergene who was sleeping therein.
The shafts of the cart rested on the pavement, and the Auvergnat’s head was supported against the front of the cart. His body was coiled up on this inclined plane and his feet touched the ground.
Gavroche, with his experience of the things of this world, recognized a drunken man. He was some corner errand-man who had drunk too much and was sleeping too much.
“There now,” thought Gavroche, “that’s what the summer nights are good for. We’ll take the cart for the Republic, and leave the Auvergnat for the Monarchy.”
His mind had just been illuminated by this flash of light:—
“How bully that cart would look on our barricade!”
The Auvergnat was snoring.
Gavroche gently tugged at the cart from behind, and at the Auvergnat from the front, that is to say, by the feet, and at the expiration of another minute the imperturbable Auvergnat was reposing flat on the pavement.
The cart was free.
Gavroche, habituated to facing the unexpected in all quarters, had everything about him. He fumbled in one of his pockets, and pulled from it a scrap of paper and a bit of red pencil filched from some carpenter.
He wrote:—
“French Republic.” “Received thy cart.” And he signed it: “GAVROCHE.”
That done, he put the paper in the pocket of the still snoring Auvergnat’s velvet vest, seized the cart shafts in both hands, and set off in the direction of the Halles, pushing the cart before him at a hard gallop with a glorious and triumphant uproar.
This was perilous. There was a post at the Royal Printing Establishment. Gavroche did not think of this. This post was occupied by the National Guards of the suburbs. The squad began to wake up, and heads were raised from camp beds. Two street lanterns broken in succession, that ditty sung at the top of the lungs. This was a great deal for those cowardly streets, which desire to go to sleep at sunset, and which put the extinguisher on their candles at such an early hour. For the last hour, that boy had been creating an uproar in that peaceable arrondissement, the uproar of a fly in a bottle. The sergeant of the banlieue lent an ear. He waited. He was a prudent man.
The mad rattle of the cart, filled to overflowing the possible measure of waiting, and decided the sergeant to make a reconnaisance.
“There’s a whole band of them there!” said he, “let us proceed gently.”
It was clear that the hydra of anarchy had emerged from its box and that it was stalking abroad through the quarter.
And the sergeant ventured out of the post with cautious tread.
All at once, Gavroche, pushing his cart in front of him, and at the very moment when he was about to turn into the Rue des Vieilles-Haudriettes, found himself face to face with a uniform, a shako, a plume, and a gun.
For the second time, he stopped short.
“Hullo,” said he, “it’s him. Good day, public order.”
Gavroche’s amazement was always brief and speedily thawed.
“Where are you going, you rascal?” shouted the sergeant.
“Citizen,” retorted Gavroche, “I haven’t called you ‘bourgeois’ yet. Why do you insult me?”
“Where are you going, you rogue?”
“Monsieur,” retorted Gavroche, “perhaps you were a man of wit yesterday, but you have degenerated this morning.”
“I ask you where are you going, you villain?”
Gavroche replied:—
“You speak prettily. Really, no one would suppose you as old as you are. You ought to sell all your hair at a hundred francs apiece. That would yield you five hundred francs.”
“Where are you going? Where are you going? Where are you going, bandit?”
Gavroche retorted again:—
“What villainous words! You must wipe your mouth better the first time that they give you suck.”
The sergeant lowered his bayonet.
“Will you tell me where you are going, you wretch?”
“General,” said Gavroche “I’m on my way to look for a doctor for my wife who is in labor.”
“To arms!” shouted the sergeant.
The master-stroke of strong men consists in saving themselves by the very means that have ruined them; Gavroche took in the whole situation at a glance. It was the cart which had told against him, it was the cart’s place to protect him.
At the moment when the sergeant was on the point of making his descent on Gavroche, the cart, converted into a projectile and launched with all the latter’s might, rolled down upon him furiously, and the sergeant, struck full in the stomach, tumbled over backwards into the gutter while his gun went off in the air.
The men of the post had rushed out pell-mell at the sergeant’s shout; the shot brought on a general random discharge, after which they reloaded their weapons and began again.
This blind-man’s-buff musketry lasted for a quarter of an hour and killed several panes of glass.
In the meanwhile, Gavroche, who had retraced his steps at full speed, halted five or six streets distant and seated himself, panting, on the stone post which forms the corner of the Enfants-Rouges.
He listened.
After panting for a few minutes, he turned in the direction where the fusillade was raging, lifted his left hand to a level with his nose and thrust it forward three times, as he slapped the back of his head with his right hand; an imperious gesture in which Parisian street-urchindom has condensed French irony, and which is evidently efficacious, since it has already lasted half a century.
This gayety was troubled by one bitter reflection.
“Yes,” said he, “I’m splitting with laughter, I’m twisting with delight, I abound in joy, but I’m losing my way, I shall have to take a roundabout way. If I only reach the barricade in season!”
Thereupon he set out again on a run.
And as he ran:—
“Ah, by the way, where was I?” said he.
And he resumed his ditty, as he plunged rapidly through the streets, and this is what died away in the gloom:—
“Mais il reste encore des bastilles, Et je vais mettre le hol Dans l’ordre public que voil. O vont les belles filles, Lon la. “Quelqu’un veut-il jouer aux quilles? Tout l’ancien monde s‘croula Quand la grosse boule roula. O vont les belles filles, Lon la. “Vieux bon peuple, coups de bquilles, Cassons ce Louvre o s‘tala La monarchie en falbala. O vont les belles filles, Lon la. “Nous en avons forc les grilles, Le roi Charles-Dix ce jour-l, Tenait mal et se dcolla. O vont les belles filles, Lon la."57
The post’s recourse to arms was not without result. The cart was conquered, the drunken man was taken prisoner. The first was put in the pound, the second was later on somewhat harassed before the councils of war as an accomplice. The public ministry of the day proved its indefatigable zeal in the defence of society, in this instance.
Gavroche’s adventure, which has lingered as a tradition in the quarters of the Temple, is one of the most terrible souvenirs of the elderly bourgeois of the Marais, and is entitled in their memories: “The nocturnal attack by the post of the Royal Printing Establishment.”
[THE END OF VOLUME IV “SAINT DENIS”]
