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During these early months of 1887, Friedrich Nietzsche became intimate with a certain Madame V. P. They went together to San Remo and Monte Carlo. We do not know this woman's name; we have no letter, either written by her or addressed to her. We may infer some mystery, perhaps a mystery of love.
Madame V. P. was no doubt Nietzsche's companion[2][Pg 322] when he heard the prelude to Parsifal at the concerts in the Casino at Monte Carlo. He listened without any bitterness, with the sudden indulgence of a worn-out adversary. "I loved Wagner," he wrote in September to Peter Gast; "I still love him." Assuredly he still loved him, when he could speak as he did of this symphony which he had just heard.
"I do not seek to know whether this art can or should serve some end," he wrote to Peter Gast, "I ask myself: Has Wagner ever done better? And I find this: the most exact conscience and psychological precision in the manner of relating, expressing, and communicating emotion; the shortest and most direct form; every nuance of sentiment defined with an almost epigrammatical brevity: such descriptive clearness that in listening to this music one thinks of some buckler of marvellous workmanship; lastly, a sentiment, a musical experience of a soul which is extraordinary and sublime; a "haughtiness," in the formidable meaning of the word;... a sympathy, a penetration, which enters like a knife into the soul—and a pity for what he has discovered and judged at the bottom of that soul. Such beauties one finds in Dante and nowhere else. What painter has ever painted so melancholy a look of love as Wagner in the last accents of his prelude?"
How easy it would have been for him to be a great critic, equal in his delicacy, superior in the largeness of his views, to that Sainte-Beuve whom he esteemed so highly! He knew it, and found it hard to resist the seductions of that "dilettantism of analysis"—the expression is his own. His best readers of ten remarked this. "What a historian you are!" Burckhardt used to say, and Hippolyte Taine repeated it. It did not satisfy Nietzsche. He despised the calling of historian or of critic. He was informed by[Pg 323] a young German whom he met at Nice that the professors of Tbingen took him as a merely dissolvent mind, radical and nihilistic; it saddened him. He had not torn himself from the romanticism of pity and love to sink at last in the inverse romanticism of violence and energy. He admired Stendhal, but did not intend to be a Stendhalian. The Christian belief had nourished his infancy, the disciplines of Pforta had ripened it, Pythagoras, Plato, Wagner had increased, elevated his desires. He wished to be a poet and a moralist, an inventor of virtues, venerations, and serenities: none of his readers, none of his friends, had understood this intention. In correcting the proofs of The Dawn of Day, he re-read this old page, the truth of which still held good.
"We are still on our knees before power—according to the old custom of slaves—and yet, when the degree of venerability shall have to be fixed, only the degree of rationality in power will be decisive; we have to investigate to what extent power has indeed been overcome by something higher of which it is now the tool and instrument. But as yet there is an absolute lack of eyes for such investigations; nay, in most cases the appraisement of genius is even considered a crime. And thus perhaps the most beautiful of all spectacles still takes place in the dark and, after bursting into bloom, soon fades into perpetual night—I mean the spectacle of that power which a man of genius employs, not in his works, but in the development of himself, regarded as a work, that is, in the task of self-mastery, in the purification of his imagination, in his deliberate choice and ordering of the course of his tasks and inspirations. And yet the great man is still invisible in the greatest thing which claims worship, invisible like a distant star; his triumph over power continues to be without eyes, hence also without[Pg 324] song and poets. As yet the order of greatness has not been settled for the sum total of human history...."
Alas, for victory over force, one must possess some exterior force, reason or faith. Nietzsche, denying to the one or to the other all their rights, has disarmed himself for the combat.
At the beginning of March a violent earthquake terrified the cosmopolitan flaneurs of Nice. Friedrich Nietzsche admired these movements of nature which reminded man of his nothingness. Two years earlier the catastrophe of Krakatoa, which destroyed two thousand human beings in Java, had filled him with enthusiasm. "It's grand," he said to Lanzky, whom he had asked to read the telegrams to him; "two thousand human beings annihilated at a stroke! It's magnificent. This is how humanity should come to its end—how one day it will end." And he hoped that a tidal wave would at least do away with Nice and its peoples. "But," observed Lanzky, "we should be done away with ourselves." "What matter!" answered Nietzsche. His almost realised desire amused him. He did not advance his departure by a single day.
"Hitherto," he wrote on March 7th, "among these thousands of people in a condition of folly, I have lived with a sentiment of irony and cold curiosity. But one cannot answer for oneself; perhaps to-morrow I shall be as unreasonable as any one. Here there is an imprvu which has its charm."
By the middle of March he would have ended his work on the prefaces; and, as he says in one of them: "What do Herr Nietzsche, his illnesses and recoveries, matter to us? Let us speak frankly, let us go straight[Pg 325] to the problem." Yes, surely, let us go straight to the problem; determine, among the many ends which men propose to themselves, those which truly elevate and ennoble them; succeed at last in gaining our triumph over power. On March 17th he sketched out a plan:
First Book: European Nihilism.
Second Book: Criticism of Superior Values.
Third Book: Principle of a New Evaluation.
Fourth Book: Discipline and Selection.
He had sketched a very similar programme in July, 1886: two books of analysis and criticism; two books of doctrine and affirmation; in all four books—four volumes.
Every springtime brought him back to a condition of uncertainty and uneasiness; between Nice and the Engadine; he did not know where to find an air which should be bright enough and not too warm; a fine light that would not hurt his eyes. In this year, 1887, he let himself be tempted by the Italian lakes, and, leaving Nice, set out for Lake Maggiore. This midget Mediterranean, enclosed in the mountains, pleased him infinitely at first. "This place strikes me as more beautiful than any part of the Mediterranean," he wrote, "and more moving—how is it that I took so many years to discover it? The sea, like all huge things, has something stupid and indecent which will not be found here." He corrected the proofs of the Gaya Scienza; he re-read Human, Too Human, and again paused to contemplate with pity his unrecognised work.
But he recovered possession of himself. The coming work alone mattered. He forced himself to recommence his meditations, and at once became enervated and exhausted. He had planned a visit to Venice; suddenly[Pg 326] he gave it up. "My health is against it," he wrote to Peter Gast. "I am unworthy of seeing such beautiful things."
