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Bravery and Cowardice are kindred correlatives with Knowledge and Ignorance, Light and Darkness, Good and Evil.

If you let a single ray of light through the shutter, it will go on diffusing itself without limit till it enlighten the world, but the shadow that was never so wide at first as rapidly contracts till it comes to naught. The shadow of the moon when it passes nearest the sun is lost in 100 space ere it can reach our earth to eclipse it. Always the system shines with uninterrupted light, for, as the sun is so much larger than any planet, no shadow can travel far into space. We may bask always in the light of the system, always may step back out of the shade. No man's shadow is as large as his body, if the rays make a right angle with the reflecting surface. Let our lives be passed under the equator, with the sun in the meridian.

There is no ill which may not be dissipated like the dark, if you let in a stronger light upon it. Overcome evil with good. Practice no such narrow economy as they whose bravery amounts to no more light than a farthing candle, before which most objects cast a shadow wider than themselves.[83]

It was a conceit of Plutarch, accounting for the preferences given to signs observed on the left hand, that men may have thought "things terrestrial and mortal directly over against heavenly and divine things, and do conjecture that the things which to us are on the left hand, the gods send down from their right hand."[84] If we are not blind, we shall see how a right hand is stretched over all, as well the unlucky as lucky, and that the ordering soul is only right-handed, distributing with one palm all our fates.[85]

Men have made war from a deeper instinct than peace. War is but the compelling of peace.[86] 101

When the world is declared under martial law, every Esau retakes his birthright, and what there is in him does not fail to appear. He wipes off all old scores and commences a new account. The world is interested to know how any soul will demean itself in so novel a position. But when war too, like commerce and husbandry, gets to be a routine, and men go about it as indented apprentices, the hero degenerates into a marine, and the standing army into a standing jest.

No pains are spared to do honor to the brave soldier. All guilds and corporations are taxed to provide him with fit harness and equipment. His coat must be red as the sunset, or blue as the heavens. Gold or silver, pinchbeck or copper, solid or superficial, mark him for fortune's favorite. The skill of a city enchases and tempers his sword-blade; the Tyrian dye confounds him with emperors and kings. Wherever he goes, music precedes and prepares the way for him. His life is a holiday, and the contagion of his example unhinges the universe. The world puts by work and comes out to stare. He is the one only man. He recognizes no time-honored casts and conventions, no fixtures but transfixtures, no governments at length settled on a permanent basis. One tap of the drum sets the political and moral harmonies all ajar. His ethics may well bear comparison with the priest's. He may rally, charge, retreat in an orderly manner, but never flee nor flinch.[87] 102

The brave man is the sole patron of music;[89] he recognizes it for his mother-tongue,---a more mellifluous and articulate language than words, in comparison with which speech is recent and temporary. It is his voice. His language must have the same majestic movement and cadence that philosophy assigns to the heavenly bodies. The steady flux of his thought constitutes time in music. The universe falls in and keeps pace with it, which before proceeded singly and discordant. Hence are poetry and song. When Bravery first grew afraid and went to war, it took music along with it. The soul delighted still to hear the echo of its own voice. Especially the soldier insists on agreement and harmony always. Indeed, it is that friendship there is in war that makes it chivalrous and heroic. It was the dim sentiment of a noble friendship for the purest soul the world has seen, that gave to Europe a crusading era.[90]

The day of tilts and tournaments has gone by, but no herald summons us to the tournament of love. 103

The brave warrior must have harmony if not melody at any sacrifice. Consider what shifts he makes. There are the bagpipe, the gong, the trumpet, the drum,---either the primitive central African or Indian, or the brass European. Ever since Jericho fell down before a blast of rams' horns, the martial and musical have gone hand in hand. If the soldier marches to the sack of a town, he must be preceded by drum and trumpet, which shall as it were identify his cause with the accordant universe. All woods and walls echo back his own spirit, and the hostile territory is then preoccupied for him. He is no longer insulated, but infinitely related and familiar. The roll-call musters for him all the forces of nature.[91]

All sounds, and more than all, silence, do fife and drum for us.[92] The least creaking doth whet all our senses and emit a tremulous light, like the aurora borealis, over things. As polishing expresses the vein in marble and the grain in wood, so music brings out what of heroic lurks anywhere.[93]

To the sensitive soul, the universe has its own fixed measure, which is its measure also, and, as a regular pulse is inseparable from a healthy body, so is its healthiness dependent on the regularity of its rhythm. In all sounds the soul recognizes its own rhythm, and seeks to express its sympathy by a correspondent movement of the limbs. When the body marches to the 104 measure of the soul, then is true courage and invincible strength.[94]

The coward would reduce this thrilling sphere music to a universal wail, this melodious chant to a nasal cant. He thinks to conciliate all hostile influences by compelling his neighborhood into a partial concord with himself, but his music is no better than a jingle which is akin to a jar,---jars regularly recurring.[95]

He blows a feeble blast of slender melody, because nature can have no more sympathy with such a soul than it has of cheerful melody in itself. Hence hears he no accordant note in the universe, and is a coward, or consciously outcast and deserted man. But the brave man, without drum or trumpet, compels concord everywhere by the universality and tunefulness of his soul.[96]

"Take a metallic plate," says Coleridge, "and strew sand on it; sound a harmonic chord over the sand, and the grains will whirl about in circles, and other geometrical figures, all, as it were, depending on some point 105 relatively at rest. Sound a discord, and every grain will whisk about without any order at all, in no figures, and with no points of rest." The brave man is such a point of relative rest, over which the soul sounds ever a harmonic chord.