The Writings of Henry David Thoreau, Volume VII (of 20)


Page 4 of 99



"My heart leaps out of my mouth at the sound of the wind in the woods. I, whose life was but yesterday so desultory and shallow, suddenly recover my spirits, my spirituality, through my hearing.... Ah! if I could so live that there should be no desultory moments ... I would walk, I would sit and sleep, with natural piety. What if I could pray aloud, or to myself, as I went along by the brookside, a cheerful prayer, like the birds! For joy I could embrace the earth. I shall delight to be buried in it. And then, to think of those I love among men, who will know that I love them, though I tell them xxxiii not.... I thank you, God. I do not deserve anything; I am unworthy of the least regard; and yet the world is gilded for my delight, and holidays are prepared for me, and my path is strewn with flowers.... O keep my senses pure!"

Highly characteristic is that concluding ejaculation. For Thoreau the five senses were not organs or means of sensuous gratification, but the five gateways of the soul. He would have them open and undefiled. Upon that point no man was ever more insistent. Above all, no sense must be pampered; else it would lose its native freshness and delicacy, and so its diviner use. That way lay perdition. When a woman came to Concord to lecture, and Thoreau carried her manuscript to the hall for her, wrapped in its owner's handkerchief, he complained twenty-four hours afterward that his pocket "still exhaled cologne." Faint, elusive outdoor odors were not only a continual delight to him, but a positive means of grace.

So, too, he would rather not see any of the scenic wonders of the world. Only let his sense of beauty remain uncorrupted, and he could trust his Musketaquid meadows, and the low hills round about, to feed and satisfy him forever.

Because of his jealousy in this regard, partly,---and partly from ignorance, it may be, just as some of his respectable village acquaintances would have found the Iliad, of which he talked so much, duller than death in comparison with the works of Mr. Sylvanus Cobb,---he often spoke in slighting terms of operas and all the more elaborate forms of music. The ear, he thought, if it xxxiv were kept innocent, would find satisfaction in the very simplest of musical sounds. For himself, there was no language extravagant enough to express his rapturous delight in them. Now "all the romance of his youthfulest moment" came flooding back upon him, and anon he was carried away till he "looked under the lids of Time,"---all by the humming of telegraph-wires or, at night especially, by the distant baying of a hound.

To the modern "musical person" certain of his confessions under this head are of a character to excite mirth. He is "much indebted," for instance, to a neighbor "who will now and then, in the intervals of his work, draw forth a few strains from his accordion." The neighbor is only a learner, but, says Thoreau, "I find when his strains cease that I have been elevated." His daily philosophy is all of a piece, one perceives: plain fare, plain clothes, plain company, a hut in the woods, an old book,---and for inspiration the notes of a neighbor's accordion.

More than once, too, he acknowledges his obligation to that famous rural entertainer and civilizer, the hand-organ. "All Vienna" could not do more for him, he ventures to think. "It is perhaps the best instrumental music that we have," he observes; which can hardly have been true, even in Concord, one prefers to believe, while admitting the possibility. If it is heard far enough away, he goes on, so that the creaking of the machinery is lost, "it serves the grandest use for me,---it deepens my existence."

We smile, of course, as in duty bound, at so artless an avowal; but, having smiled, we are bound also to render xxxv our opinion that the most blas concert-goer, if he be a man of native sensibility, will readily enough discern what Thoreau has in mind, and with equal readiness will concede to it a measure of reasonableness; for he will have the witness in himself that the effect of music upon the soul depends as much upon the temper of the soul as upon the perfection of the instrument. One day a simple air, simply sung or played, will land him in heaven; and another day the best efforts of the full symphony orchestra will leave him in the mire. And after all, it is possibly better, albeit in "poorer taste," to be transported by the wheezing of an accordion than to be bored by finer music. As for Thoreau, he studied to be a master of the art of living; and in the practice of that art, as of any other, it is the glory of the artist to achieve extraordinary results by ordinary means. To have one's existence deepened---there cannot be many things more desirable than that; and as between our unsophisticated recluse and the average "musical person" aforesaid, the case is perhaps not so one-sided as at first sight it looks; or, if it be, the odds are possibly not always on the side of what seems the greater opportunity.

His life, the quality of his life, that for Thoreau was the paramount concern. To the furthering of that end all things must be held subservient. Nature, man, books, music, all for him had the same use. This one thing he did,---he cultivated himself. If any, because of his so doing, accused him of selfishness, preaching to him of philanthropy, almsgiving, and what not, his answer was already in his mouth. Mankind, he was prepared to maintain, was very well off without such helps, which xxxvi oftener than not did as much harm as good (though the concrete case at his elbow---half-clad Johnny Riordan, a fugitive slave, an Irishman who wished to bring his family over---appealed to him as quickly as to most, one is glad to notice); and, however that might be, the world needed a thousand times more than any so-called charity the sight of a man here and there living for higher ends than the world itself knows of. His own course, at any rate, was clear before him: "What I am, I am, and say not. Being is the great explainer."

His life, his own life, that he must live; and he must be in earnest about it. He was no indifferent, no little-carer, no skeptic, as if truth and a lie were but varying shades of the same color, and virtue, according to the old phrase, "a mean between vices." You would never catch him sighing, "Oh, well!" or "Who knows?" Qualifications, reconciliations, rapprochements, the two sides of the shield, and all that,---these were considerations not in his line. Before everything else he was a believer,---an idealist, that is,---the last person in the world to put up with half-truths or half-way measures. If "existing things" were thus and so, that was no reason why, with the sect of the Sadducees, he should make the best of them. What if there were no best of them? What if they were all bad? And anyhow, why not begin new? It was conceivable, was it not, that a man should set his own example, and follow his own copy. General opinion,---what was that? Was a thing better established because ten thousand fools believed it? Did folly become wisdom by being raised to a higher power? And antiquity, tradition,---what were they? Could a blind xxxvii man of fifteen centuries ago see farther than a blind man of the present time? And if the blind led the blind, then or now, would not both fall into the ditch?

Yes, he was undoubtedly peculiar. As to that there could never be anything but agreement among practical people. In a world where shiftiness and hesitation are the rule, nothing looks so eccentric as a straight course. It must be acknowledged, too, that a man whose goodness has a strong infusion of the bitter, and whose opinions turn out of the way for nobody, is not apt to be the most comfortable kind of neighbor. We were not greatly surprised, lately, to hear an excellent lady remark of Thoreau that, from all she had read about him, she thought he must have been "a very disagreeable gentleman." It could hardly be said of him, as Mr. Birrell says of Matthew Arnold, who was himself a pretty serious person, and, after a way of his own, a preacher of righteousness, that he "conspired and contrived to make things pleasant."



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