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Aug. 13. Friday. I have been in the swamp by Charles Miles's this afternoon, and found it so bosky and sylvan that Art would never have freedom or courage 271 to imitate it. It can never match the luxury and superfluity of Nature. In Art all is seen; she cannot afford concealed wealth, and in consequence is niggardly; but Nature, even when she is scant and thin outwardly, contents us still by the assurance of a certain generosity at the roots. Surely no stinted hand has been at work here for these centuries to produce these particular tints this summer. The double spruce attracts me here, which I had hardly noticed in the gardens, and now I understand why men try to make them grow about their houses.[260]

Nature has her luxurious and florid style as well as Art. Having a pilgrim's cup to make, she gives to the whole---stem, bowl, handle, and nose---some fantastic shape, as if it were to be the car of a fabulous marine deity,---a Nereus or Triton. She is mythical and mystical always, and spends her whole genius upon the least work.[261]

Aug. 16. There is a double virtue in the sound that can wake an echo, as in the lowing of the cows this morning. Far out in the horizon that sound travels quite round the town, and invades each recess of the wood, advancing at a grand pace and with a sounding Eastern pomp.

Aug. 18. I sailed on the North River last night with 272 my flute, and my music was a tinkling stream which meandered with the river, and fell from note to note as a brook from rock to rock. I did not hear the strains after they had issued from the flute, but before they were breathed into it, for the original strain precedes the sound by as much as the echo follows after, and the rest is the perquisite of the rocks and trees and beasts.[262] Unpremeditated music is the true gauge which measures the current of our thoughts, the very undertow of our life's stream.

Of all the duties of life it is hardest to be in earnest; it implies a good deal both before and behind. I sit here in the barn this flowing afternoon weather, while the school bell is ringing in the village, and find that all the things immediate to be done are very trivial. I could postpone them to hear this locust sing. The cockerels crow and the hens cluck in the yard as if time were dog-cheap. It seems something worth detaining time,---the laying of an egg. Cannot man do something to comfort the gods, and not let the world prove such a piddling concern? No doubt they would be glad to sell their shares at a large discount by this time. Eastern Railroad stock promises a better dividend. 273

The best poets, after all, exhibit only a tame and civil side of nature. They have not seen the west side of any mountain.

Day and night, mountain and wood, are visible from the wilderness as well as the village. They have their primeval aspects, sterner, savager than any poet has sung. It is only the white man's poetry. We want the Indian's report. Wordsworth is too tame for the Chippeway.[263]

The landscape contains a thousand dials which indicate the natural divisions of time; the shadows of a thousand styles point to the hour. The afternoon is now far advanced, and a fresh and leisurely wind is blowing on the river, causing long reaches of serene ripples. It has done its stent, and seems not to flow but lie at its length reflecting the light. The haze over the woods seems like the breath of all nature, rising from a myriad pores into the attenuated atmosphere.[264] It is sun smoke, the woof he has woven, his day's toil displayed.[265]

If I were awaked from a deep sleep, I should know which side the meridian the sun might be by the chirping of the crickets. Night has already insidiously set her foot in the valley in many places, where the shadows of the shrubs and fences begin to darken the landscape. There is a deeper shading in the colors of the afternoon landscape. Perhaps the forenoon is brighter than the afternoon, not only because of the greater transparency of the atmosphere then, but because we naturally look most into the west,---as we look forward into the day,---and so in the forenoon see the sunny side of things, but in the afternoon the shadow of every tree.

What a drama of light and shadow from morning to night! Soon as the sun is over the meridian, in deep 274 ravines under the east side of the cliffs night forwardly plants her foot, and, as day retreats, steps into his trenches, till at length she sits in his citadel. For long time she skulks behind the needles of the pine, before she dares draw out her forces into the plain. Sun, moon, wind, and stars are the allies of one side or the other.[266]

How much will some officious men give to preserve an old book, of which perchance only a single [copy] exists, while a wise God is already giving, and will still give, infinitely more to get it destroyed!

Aug. 20. Friday. It seems as if no cock lived so far in the horizon but a faint vibration reached me here, spread the wider over earth as the more distant.

In the morning the crickets snore, in the afternoon they chirp, at midnight they dream.

Aug. 24. Let us wander where we will, the universe is built round about us, and we are central still. By reason of this, if we look into the heavens, they are concave, and if we were to look into a gulf as bottomless, it would be concave also. The sky is curved downward to the earth in the horizon, because I stand in the plain. I draw down its skirts. The stars so low there seem loth to go away from me, but by a circuitous path to be remembering and returning to me.[267]

Aug. 28. Saturday. A great poet will write for his peers alone, and indite no line to an inferior. He will 275 remember only that he saw truth and beauty from his position, and calmly expect the time when a vision as broad shall overlook the same field as freely.[268]

Johnson can no more criticise Milton than the naked eye can criticise Herschel's map of the sun.

The art which only gilds the surface and demands merely a superficial polish, without reaching to the core, is but varnish and filigree. But the work of genius is rough-hewn from the first, because it anticipates the lapse of time and has an ingrained polish, which still appears when fragments are broken off, an essential quality of its substance. Its beauty is its strength. It breaks with a lustre, and splits in cubes and diamonds. Like the diamond, it has only to be cut to be polished, and its surface is a window to its interior splendors.

True verses are not counted on the poet's fingers, but on his heart-strings.

In the Hindoo scripture the idea of man is quite illimitable and sublime. There is nowhere a loftier conception of his destiny. He is at length lost in Brahma himself, "the divine male." Indeed, the distinction of races in this life is only the commencement of a series of degrees which ends in Brahma.