Leibniz's New Essays Concerning the Human Understanding


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Our starting-point, therefore, for the consideration of matter is the statement that it is receptivity, the capacity for being affected, which always constitutes matter. But what is meant by "receptivity"? To answer this question we must return to what was said about the two activities of the monad,—representation, or perception, and appetition,—and to the difference between confused and distinct ideas. The monad has appetition so far as it determines itself from within to change, so far as it follows an internal principle of energy. It is representative so far as it is determined from without, so far as it receives impressions from the universe. Yet we have learned to know that in one sense everything occurs from the spontaneity of the monad itself; it receives no influence or influxus from without; everything comes from its own depths, or is appetition. But, on the other hand, all that which so comes forth is only a mirroring or copying of the universe. The whole content of the appetition is representation. Although the monad works spontaneously, it is none the less determined in its activities to produce only reflections or images of the world. In this way appetition and representation appear to be identical. The monad is determined from within, indeed, but it is determined to exactly the same results as if wholly determined from without. What light, then, can be thrown from this distinction upon the nature of matter?

None, unless we follow Leibniz somewhat farther. If we do, we shall see that the soul is regarded as appetitive, or self-active, so far as it has clear and distinct ideas. If the monad reaches distinct consciousness, it has knowledge of self,—that is, of the nature of pure spirit,—or, what again is equivalent to this, of the nature of reality as it universally is. Such knowledge is knowledge of God, of substance, of unity, of pure activity, and of all the innate ideas which elevate the confused perceptions of sense into science. Distinct consciousness is therefore equivalent to self-activity, and this to recognition of God and the universal. But if knowledge is confused, it is not possible to see it in its relations to self; it cannot be analyzed; the rational or ideal element in it is concealed from view. In confused ideas, therefore, the soul appears to be passive; being passive, to be determined from without. This determination from without is equivalent to that which is opposed to spirit or reason, and hence appears as matter. Such is in outline the Leibnizian philosophy.

It thus is clear that merely stating that matter is passivity in the monad is not the ultimate way of stating its nature. For passivity means in reality nothing but confused representations,—representations, that is, whose significance is not perceived. The true significance of every representation is found in its relation to the ego, or pure self-activity, which, through its dependent relation upon God, the absolute self-activity and ego, produces the representation from its own ideal being. So far as the soul does not have distinct recognition of relation of all representations to self, it feels them as coming from without; as foreign to spirit; in short, as matter. Leibniz thus employs exactly the same language about confused ideas that he does about passivity, or matter. It is not possible that the monad should have distinct consciousness of itself as a mirror of the whole universe, he says, "for in that case every entelechy would be God." Again, "the soul would be God if it could enter at once and with distinctness into everything occurring within it." But it is necessary "that we should have passions which consist in confused ideas, in which there is something involuntary and unknown, and which represent the body and constitute our imperfection." Again, he speaks of matter as "the mixture (mlange) of the effects of the infinite environing us." In that expression is summed up his whole theory of matter. It is a mixture; it is, that is to say, confused, aggregated, irresolvable into simple ideas. But it is a mixture of "effects of the infinite about us;" that is, it takes its rise in the true, the real, the spiritual. It only fails to represent this as it actually is. Matter, in short, is a phenomenon dependent upon inability to realize the entire spiritual character of reality. It is spirit apprehended in a confused, hesitating, and passive manner.

It is none the less a necessary phenomenon, for it is involved in the idea of a continuous gradation of monads, in the distinction between the infinite and the finite, or, as Leibniz often prefers to put it, between the "creator" and the "created." There is involved everywhere in the idea of Leibniz the conception of subordination; of a hierarchy of forms, each of which receives the law of its action from the next higher, and gives the law to the next lower. We have previously considered the element of passivity or receptivity as relating only to the monad which manifests it. It is evident, however, that what is passive in one, implies something active in another. What one receives, is what another gives. The reciprocal influence of monads upon one another, therefore, as harmonious members of one system, requires matter. More strictly speaking, this reciprocal influence is matter. To take away all receptivity, all passivity, from monads would be to isolate them from all relations with others; it would be to deprive them of all power of affecting or being affected by others. That is what Leibniz meant by the expression already quoted, that if monads had not matter as an element in them, "they would be, as it were, deserters from the general order." The note of unity, of organic connection, which we found to be the essence of the Leibnizian philosophy, absolutely requires, therefore, matter, or passivity.

It must be remembered that this reciprocal influence is ideal. As Leibniz remarks, "When it is said that one monad is affected by another, this is to be understood concerning its representation of the other. For the Author of things has so accommodated them to one another that one is said to suffer (or receive from the other) when its relative value gives way to that of the other." Or again, "the modifications of one monad are the ideal causes of the modifications of another monad, so far as there appear in one the reasons on account of which God brought about in the beginning certain modifications in another." And most definitely of all: "A creature is called active so far as it has perfection; passive in so far as it is imperfect. One creature is more perfect than another so far as there is found in it that which serves to render the reason, a priori, for that occurring in the other; and it is in this way that it acts upon the other."

We are thus introduced, from a new point of view and in a more concrete way, to the conception of pre-established harmony. The activity of one, the energy which gives the law to the other and makes it subordinate in the hierarchy of monads, is conceived necessarily as spirit, as soul; that which receives, which is rendered subordinate by the activity of the other, is body. The pre-established harmony is the fact that they are so related that one can receive the law of its activity from the other. Leibniz is without doubt partially responsible for the ordinary misconception of his views upon this point by reason of the illustration which he was accustomed to use; namely, of two clocks so constructed that without any subsequent regulation each always kept perfect time with the other,—as much so as if there were some actual physical connection between them. This seems to put soul and body, spirit and matter, as two co-ordinate substances, on the same level, with such natural opposition between them that some external harmony must arrange some unity of action. In causing this common idea of his theory of pre-established harmony, Leibniz has paid the penalty for attempting to do what he often reproves in others,—imagining or presenting in sensible form what can only be thought. But his other explanations show clearly enough that the pre-established harmony expresses, not a relation between two parallel substances, but a condition of dependence of lower forms of activity upon the higher for the law of their existence and activity,—in modern terms, it expresses the fact that phenomena are conditioned upon noumena; that material facts get their significance and share of reality through their relation to spirit.



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