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STRANGER: Still less would any rational man seek to analyse the notion of weaving for its own sake. But people seem to forget that some things have sensible images, which are readily known, and can be easily pointed out when any one desires to answer an enquirer without any trouble or argument; whereas the greatest and highest truths have no outward image of themselves visible to man, which he who wishes to satisfy the soul of the enquirer can adapt to the eye of sense (compare Phaedr.), and therefore we ought to train ourselves to give and accept a rational account of them; for immaterial things, which are the noblest and greatest, are shown only in thought and idea, and in no other way, and all that we are now saying is said for the sake of them. Moreover, there is always less difficulty in fixing the mind on small matters than on great.
YOUNG SOCRATES: Very good.
STRANGER: Let us call to mind the bearing of all this.
YOUNG SOCRATES: What is it?
STRANGER: I wanted to get rid of any impression of tediousness which we may have experienced in the discussion about weaving, and the reversal of the universe, and in the discussion concerning the Sophist and the being of not-being. I know that they were felt to be too long, and I reproached myself with this, fearing that they might be not only tedious but irrelevant; and all that I have now said is only designed to prevent the recurrence of any such disagreeables for the future.
YOUNG SOCRATES: Very good. Will you proceed?
STRANGER: Then I would like to observe that you and I, remembering what has been said, should praise or blame the length or shortness of discussions, not by comparing them with one another, but with what is fitting, having regard to the part of measurement, which, as we said, was to be borne in mind.
YOUNG SOCRATES: Very true.
STRANGER: And yet, not everything is to be judged even with a view to what is fitting; for we should only want such a length as is suited to give pleasure, if at all, as a secondary matter; and reason tells us, that we should be contented to make the ease or rapidity of an enquiry, not our first, but our second object; the first and highest of all being to assert the great method of division according to species—whether the discourse be shorter or longer is not to the point. No offence should be taken at length, but the longer and shorter are to be employed indifferently, according as either of them is better calculated to sharpen the wits of the auditors. Reason would also say to him who censures the length of discourses on such occasions and cannot away with their circumlocution, that he should not be in such a hurry to have done with them, when he can only complain that they are tedious, but he should prove that if they had been shorter they would have made those who took part in them better dialecticians, and more capable of expressing the truth of things; about any other praise and blame, he need not trouble himself—he should pretend not to hear them. But we have had enough of this, as you will probably agree with me in thinking. Let us return to our Statesman, and apply to his case the aforesaid example of weaving.
YOUNG SOCRATES: Very good;—let us do as you say.
STRANGER: The art of the king has been separated from the similar arts of shepherds, and, indeed, from all those which have to do with herds at all. There still remain, however, of the causal and co-operative arts those which are immediately concerned with States, and which must first be distinguished from one another.
YOUNG SOCRATES: Very good.
STRANGER: You know that these arts cannot easily be divided into two halves; the reason will be very evident as we proceed.
YOUNG SOCRATES: Then we had better do so.
STRANGER: We must carve them like a victim into members or limbs, since we cannot bisect them. (Compare Phaedr.) For we certainly should divide everything into as few parts as possible.
YOUNG SOCRATES: What is to be done in this case?
STRANGER: What we did in the example of weaving—all those arts which furnish the tools were regarded by us as co-operative.
YOUNG SOCRATES: Yes.
STRANGER: So now, and with still more reason, all arts which make any implement in a State, whether great or small, may be regarded by us as co-operative, for without them neither State nor Statesmanship would be possible; and yet we are not inclined to say that any of them is a product of the kingly art.
YOUNG SOCRATES: No, indeed.
STRANGER: The task of separating this class from others is not an easy one; for there is plausibility in saying that anything in the world is the instrument of doing something. But there is another class of possessions in a city, of which I have a word to say.
YOUNG SOCRATES: What class do you mean?
STRANGER: A class which may be described as not having this power; that is to say, not like an instrument, framed for production, but designed for the preservation of that which is produced.
YOUNG SOCRATES: To what do you refer?
STRANGER: To the class of vessels, as they are comprehensively termed, which are constructed for the preservation of things moist and dry, of things prepared in the fire or out of the fire; this is a very large class, and has, if I am not mistaken, literally nothing to do with the royal art of which we are in search.
YOUNG SOCRATES: Certainly not.
STRANGER: There is also a third class of possessions to be noted, different from these and very extensive, moving or resting on land or water, honourable and also dishonourable. The whole of this class has one name, because it is intended to be sat upon, being always a seat for something.
YOUNG SOCRATES: What is it?
STRANGER: A vehicle, which is certainly not the work of the Statesman, but of the carpenter, potter, and coppersmith.
YOUNG SOCRATES: I understand.
STRANGER: And is there not a fourth class which is again different, and in which most of the things formerly mentioned are contained,—every kind of dress, most sorts of arms, walls and enclosures, whether of earth or stone, and ten thousand other things? all of which being made for the sake of defence, may be truly called defences, and are for the most part to be regarded as the work of the builder or of the weaver, rather than of the Statesman.
YOUNG SOCRATES: Certainly.
STRANGER: Shall we add a fifth class, of ornamentation and drawing, and of the imitations produced by drawing and music, which are designed for amusement only, and may be fairly comprehended under one name?
YOUNG SOCRATES: What is it?
STRANGER: Plaything is the name.
YOUNG SOCRATES: Certainly.
STRANGER: That one name may be fitly predicated of all of them, for none of these things have a serious purpose—amusement is their sole aim.